• Yong-Eui-Ja / The Suspect (2013)

    ''The Suspect'' is a South Korean action-thriller in the vein of several contemporary spy movies like ''The Berlin File''. The movie tells the story of a North Korean defector who has once been a top special forces agent. After years of loyal service to his country, he became the victim of a conspiracy and purge. While the defector was able to make it to South Korea, his wife and young daughter were killed. Filled with grief and anger, the defector is now working as a chauffeur for a warm-hearted chairman who wants to help the North Korean people by developing a chemical product that could improve agriculture and prevent future famines. One day before a crucial meeting in North Korea, the chairman gets assassinated by some obscure members of the South Korean intelligence service. The defector witnesses the crime and fights the assassins but he can't save his boss. The dying chairman though gives him his glasses which hide the formula for the chemical product. The defector gets now hunted by the South Korean intelligence service who accuse him for the murder of the chairman and want to get the formula. The manhunt is led by a tough colonel who wants to eliminate the defector at all costs but who soon realizes that his boss is hiding a sinister secret and that things are more complicated than they appear. With the help of an ambitious journalist, the defector wants to uncover the secret of the chairman's glasses, clear his name and fight the true murderers and also find the man who killed his family.

    On the positive side of the movie, one gets a twisted and tension-filled story line. The movie is gripping and entertaining and never gets boring despite a running time of almost two hours and a half. The acting is solid and especially the defector, the colonel and the main villain are portrayed in authentic ways. The movie has some character development and spends enough time to add some depth by telling a few side-stories in form of flashbacks. The action scenes in the movie are of the highest quality and at least as good as similar contemporary Hollywood movies. One gets to see agile and yet brutal martial arts fighting scenes, brutal shootings and breathtaking car chases. Some of these scenes are unrealistic and over the top but they are definitely fun to watch. Despite all the action and brutality, the movies manages to keep a human core and comes around with a moving ending.

    On the negative side, I must admit that this movie obviously picks up several ideas from past South Korean but also international spy flicks. The story line of the movie is not really original and several parts of the film are in fact quite predictable for genre fans. The script could have been more innovative in my opinion.

     

    Despite this obvious flaw, genre fans should still watch this movie as it's among the better South Korean spy movies of the last years. It easily beats ''The Berlin File'' and is probably on one level with movies like ''New World'' but obviously less groundbreaking than ''Shiri''. For international fans, you will probably appreciate this movie if you liked the films of the Bourne franchise.

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  • John Wick (2014)

    "John Wick" is another fast-paced and graphic revenge movie with some entertaining action and black humour, a fitting soundtrack and the usual stereotypical characters from the Russian mafia. When it comes to gripping revenge flicks, you should rather watch South Korean movies like the intense "The Man from Nowhere" which is twice as good as this film, "I Saw the Devil" which is probably one of the most brutal movies ever made, the emotionally heart-breaking "Blood Island", as well as the philosophical trilogy around "Sympathy for Mister Vengeance", "Oldboy" and "Lady Vengeance" if you are looking for some originality, depth and character development. "John Wick" is only a hollow entertainment for genre fans. If I wasn't a fan of this kind of movies, my rating would be much lower than it is.

    The story is simple. John Wick was a hit-man working for the organized crime in New York City. He retired from his job and started a new life when he met the love of his life. Roughly four years later, John Wick loses his wife to cancer. He receives a posthumous gift from her in form of a puppy with a letter from his wife saying that she is gone and that John Wick should cope with her demise by loving the dog. Coincidentally, he encounters the son of his old boss who doesn't know him. The young Russian mafioso wants to purchase John Wick's vintage '69 Mustang but the grieving man refuses. A few hours later, the Russian mafioso breaks into John Wick's house without any problems as there seems to be no alarm system at all. With a few friends, the young criminal kills John Wick's beloved puppy, steals his car and is bright enough to take off his hood to show his face so John Wick surely knows who he is. The victim survives and goes on to kill around eighty criminals in the next ninety minutes of the movie. Of course, killing the naive culprit is not enough, he also kills his partners, colleagues, bodyguards, his old boss and a few guys in a church. In the end, everybody but John Wick is dead and he goes to the next veterinary hospital, walks off with a new dog and goes home as if nothing ever happened.

    This story is so bad that it could have been written by a twelve-year old. First of all, there are too many coincidences concerning the encounter with the Russian criminals who want to steel John Wick's car. In the entire movie, everybody is talking about John Wick's incredible reputation and everybody knows him wherever he goes but the son of the most influent criminal is the only one who has never heard of him. It's not credible that a smart hit-man doesn't have any alarm system to protect his home. One can understand that the killing of the puppy his wife gave to him really hurts John Wick but taking this event to justify eighty or more murders is not credible at all. In the entire movie, there is no police or anything despite all the shootings in downtown New York City. All of John Wick's enemies are extremely stupid, unexperienced and wooden. Even thirty men in one building can't manage to fight him. I could go on for hours as this movie is filled with so many coincidences, plot holes and unrealistic scenes that it's amusing. If you tell me know that the story doesn't matter in a revenge action movie, just watch any of the movies mentioned in the introduction that prove that even the grisliest revenge thriller can have some depth. Even "The Raid" franchise is more realistic and has better plots. "John Wick" rather feels like a simplistic ego-shooter for video game consoles than an actual movie. I must though admit that the last Splinter Cell games had better story lines than this film.

    Another thing that feels out of place is the fact that fifty-year old Keanu Reeves is playing the unbeatable hit-man. The fighting scenes are somewhat wooden but he still manages to fight off his enemies because their acting is even slower. On the other side, Keanu Reeves also has a certain charisma to fit this role. Fifty-nine year old Willem Dafoe as veteran hit-man who has to kill John Wick is also a questionable choice in my opinion. Still, he is a respectable actor and has charisma. The most annoying thing is the fact that the evil guys are Russians again but that they are portrayed by actors from all around the world like England, Sweden and even Switzerland - except Russia. One can feel that these are wannabe Hollywood Russians and not real Russians.

    You may now ask yourself why I still gave a favourable rating to this flick. It's actually simple. This movie never gets boring. The action scenes are sometimes wooden but most of them are just shootings so it doesn't really matter. These scenes are well directed and include no annoying shaky cameras or overloaded special effects. The settings of the movie are well chosen and vary from dirty chop shops over elegant bath houses to Orthodox churches. There are a few memorable lines in this film as in many other action movies. Some graphic content is related to some dark and dry humour which made the whole thing easier to digest. I actually liked this combination of contradictory extremes and had to laugh quite a few times during the movie. The soundtrack of the movie is also enjoyable and fitting. For genre fans, there are enough entertaining and well-executed elements to enjoy this movie despite its obvious flaws.

     

    If you are looking for some fast-paced and superficial entertainment to switch your brains off, you will like "John Wick". If you are actually looking for a good movie that has more to offer than stylish violence, go for the movies mentioned in the introduction.

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  • Power Of Mirantic – The Conscience

    October 31, 2014 in Reviews by Sebastian Kluth

    Power of Mirantic 2011Power Of Mirantic The Conscience (2011)

    Reviewed by Sebastian Kluth

    Power Of Mirantic is (now) an all-female symphonic power metal band from Surabaya, East Java in Indonesia which has released two solid full length records so far. On the first effort The Conscience, singer Dwi Fatmawati, lead guitarist Annisa Wulandari, and bassist Eva Safithri were supported by male musicians Putra Antono on guitars and Ikmal Mukti on drums. All members were in their early twenties back in 2011. This debut release is performed with a very unique passion and great musicianship despite poorer production and some mediocre tracks here and there.

     

    The largely instrumental opener and title features off-putting Asian islander-folk chants, emotional spoken word passages, and a massive use of artificial piano sounds and string sections. The cinematic opening becomes more metal when fast drums and beefy riffs kick in. Two minutes into the song, one realizes that one is dealing with a melodic power metal band and not some weird, experimental folk group. However, this is probably already the heaviest track on the record. As most Asian power metal bands, Power Of Mirantic are rather influenced by European power and symphonic metal. Instrumentally, an obvious influence is Nightwish, for example, while the vocals are probably overall closer to Edenbridge and Seraphim, as well as several pop and world music acts like Enigma, Loreena McKennitt, and Mike Oldfield.

    While the opening song has some interesting elements, it drags on for far too long, and “I Will Not Die Again” is the song that has to prove that this band is worth some attention. In fact, the second track is amongst the strongest songs of the album. Apart from the expectedly grand (if cheesy) orchestration, the fast riffs and drum play, the pumping mid-tempo bass work, and a number of harmonious guitar solos, I was surprised by several breaks in this complex track that headed for calmer and more reverent passages. The lead vocals don’t sound like most exchangeable female-fronted symphonic power metal acts, which feature high pitched operatic vocals, and give the band its own identity. As a matter of fact, while the band’s songwriting isn’t top notch, I have rarely heard such an enchanting voice with so much potential, and this somehow reduces all the obvious flaws that this debut release might have. I’m extremely curious to follow the future development of this gifted band and especially its outstanding singer.

    This entire album sounds very dreamy and peaceful without being boring and dull. The classic-souding keyboard orchestration, the melodic mid-tempo guitar, and the very feminine vocal performance meet enough powerful riffs and vivid drum play to build up a rather balanced sound, as seen in the perfectly entitled “Touch To Your Soul”.

    “Dream Of Love” comes around with calming sounds of the ocean, acoustic guitars, soft percussion, and soaring vocals that remind me of profound pop music of the eighties in the key of Sandra, for example. This song doesn’t have anything to do with metal music whatsoever, but it manages to touch my soul. This stripped-down piece of genius really manages to calm me, and makes me feel in harmony with the world. It’s a very soft song and yet so incredibly powerful. This is my secret highlight of the record, and I’m impressed that the band came around with such a refreshing change.

    If you are interested in more spiritual female-fronted symphonic power metal and don’t mind some calm orchestrations influenced by new age, pop, and world music in general, I can warmly recommend you Power Of Mirantic’s debut release The Conscience. Take a break from your challenging everyday life and get on an appeasing, exotic, and religious trip to Indonesia.

    3.5 // 5

     
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