Progressive pearl that stood the test of time - A review of Ark's Ark

Ark is an overlooked and underrated Norwegian progressive metal band that released two records before it disappeared into oblivion. The eponymous debut features a young Jørn Lande before he decided to imitate Ronnie James Dio and focused his career on being the first guest on almost every Avantasia record, bassist Tore Østby who has recently had a respectable comeback with progressive power metal veterans Conception and American drummer John Macaluso who was also the drummer for Yngwie J. Malmsteen at that time. The release features numerous guests that play accordion, keyboard and saxophone among other instruments.

Ark's music is creative, harmonious and versatile which makes each of the seven tracks a voyage of the grandest kind. Intriguing lyrics, heartfelt melodies and innovative songwriting make this album stand out. Despite the stunning musicianship of everyone involved, the songs don't lose themselves in pretentious instrumental sections as the emotive vocals always play a central role. ''The Hunchback of Notre Dame'' is a prime example of progressive storytelling in the key of progressive rock genre veterans like Genesis while catchier and shorter tunes like the energetic ''Center Avenue'' might rather recall Arena. Despite heavy riffs and dynamic rhythm sections, this album qualifies as much as progressive rock as it does as progressive metal.

Ark's debut has aged very well and sounds still adventurous, atmospheric and unique two decades after its initial release. It has stood the test of time as one of the greatest progressive rock records of the nineties despite being so critically forgotten. If you look for timeless progressive music that truly pushes the boundaries and sits on the verge between progressive rock and metal, you should give yourself a little gift by checking this record out.

Final rating: 95%