• Lucy (2014)

    Lucy could easily be the best film of the year and should attract a lot more cinephiles to the movie theatres than it already does. The movie has many different strengths, differs from similar films and feels fresh and entertaining despite a more philosophical and scientific approach.

    First of all, the movie has a running time of ninety minutes only. The viewer is immediately thrown into a story filled with pace and tension. This films simply doesn't include any unnecessary lengths.

    The acting performances in this film are completely incredibly. Scarlett Johansson starts as a naive and shy lady that slowly becomes a clever heroine in a credible manner. Her character doesn't include the usual weaknesses of so-called superheroes. She doesn't talk too much, she only uses her powers when she has to and is still quite impressive and there is no cheesy love story or a demon from her past to distract us from the main plot. Morgan Freeman only has a smaller role in this movie but he simply convinces for being there because he is credible in his role as a clever scientist and has a lot of charisma. The ruthless main villain is portrayed by the incredible Choi Min-Sik who is one of my favourite actors ever and it's great to finally see him in a Western movie where his incredible talents get some more attention. This may not be his greatest performance but this man has a talent and history for playing dark characters.

    The story of the movie is another strong point. It's not your usual tale of crime and vengeance. The film has a rather profound philosophical and scientific side and takes its time to explain what is actually going on without boring the audience. Many viewers felt let down by the ending of the movie but in relation to the entire film, it completely makes sense. The movie doesn't only convince with gifted actors and addicting action sequences but also offers some real food for thought.

    The visual effects of the movie exploit all contemporary technologies extremely well. I was stunned by many impressive images from animal and nature sequences over animated pictures of the human body up to modern images with different rays and colours. These effects make the movie even more enjoyable in a cinema.

    The rest of the movie is very well executed as well. There are no annoying shaky camera passages, the soundtrack is very fitting and the whole movie has an intriguing multicultural touch as it takes place in Taiwan and France and involves actors and characters from many different countries. The fact that the Korean actors only speak Korean might be annoying for some viewers but it makes the experience even more realistic. Just as Scarlett Johansson's character in the beginning, the viewer doesn't always understand what is going on when the Korean characters are talking and this adds even more tension to the plot and is a great element that is more and more employed in commercial movies as well.

    Lucy may not reinvent a whole genre but this science-fiction movie focuses on the best elements of science and a really gripping fiction. If you only like slow-paced dramas or comedy movies for the whole family, this movie isn't for you but anyone else should absolutely watch this film as soon as possible. There are still some interesting movies to come out this year but so far, this film is a more than solid candidate for the greatest movie of the year and you really don't want to miss it.

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  • Snowpiercer (2013)

    "Snowpiercer" is quite a mixed bag. On the positive side, it features stunning decorations, graphics and locations as well as great fighting scenes and special effects and finally a gripping dark atmosphere from the beginning to the end. The different sections in the train, the winter landscapes and the different kinds of battles with bare hands and feet, knives and swords or guns keep the pace of this movie elevated.

    On the negative side, the story itself is quite simplistic and copied from many other dystopian movies and literature but what truly bothers me are several obvious plot holes. There is a minimal twist towards the end of the movie but after all the final moments of this film are rather disappointing.

    Some parts of the movie have an interesting potential such as the different characters. The actors play very well but some things about their characters are left unexplained. That's why many of them remain somewhat superficial as if they were made up by naive teenagers. While the different characters are intriguing on their own, they fail to develop a more profound chemistry between each other. Chris Evans and Song Kang-Ho are both great actors but they don't fit together as a team of leading characters. It's a little bit the same mismatch between the inhuman killer portrayed by Vlad Ivanov and the mysterious teenager played by Go Ah-Sung. I guess that a better script and an additional thirty minutes of running time to work on some character development would have rated this movie up.

    In the end, I was very well entertained by this movie from the beginning to the end despite its notable flaws. The art direction, the brilliant main director and the overall dystopian atmosphere are the movie's strongest points. If you care for dystopian movies filled with action and tension, I can recommend this film to you. If you are looking for something more profound and innovating, you have to look elsewhere.

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  • Unisonic – Light Of Dawn

     

    August 13, 2014 in Reviews by Sebastian Kluth

     

    Unisonic2014

    Unisonic -  Light Of Dawn (2014)

    Reviewed by Sebastian Kluth

    Two years after the outstanding self-titled debut from power metal and melodic rock supergroup Unisonic, the quintet is back in full strength with its sophomore output entitled Light Of Dawn. While many people I know didn’t appreciate the debut, it was because it focused less on power metal and more on rock accessibility. I admit that I adored this lighter style, and thought that the record featured striking anthems with great melodies and touching lyrics. Light Of Dawn is overall a little bit heavier than its predecessor, which should please the heavy and power metal fans, but the band kept its great sense for great emotions, charming melodies, and moving lyrics. In my opinion, both records are equally strong, but I slightly prefer the debut because it sounded different from many genre colleagues thanks to a more AOR-inspired sound.

     

    While the first record opened with the unforgettable and energizing “Unisonic”, Light Of Dawn kicks off just as well with the vivid “Your Time Has Come”, which sounds like it could have been among the best songs from a Helloween record out of the eighties. The band is back with melodies that touch your heart and soul, such as the liberating “Exceptional”, which could be compared to the brilliant “Never Too Late” from the previous record. Other potential single candidates include the charming retro rocker “Manhunter”, with its warm chorus, and the light and positive bonus track “Judgement Day”.

    Another standout track is “Night Of The Long Knives”, which starts in a slow, subtle way before the song evolves into a mid-tempo paced tune with remarkable vocal melodies. Michael Kiske delivers one of his most varied performances ever. The song has a nostalgic touch and reminds me of commercial hard rock and heavy metal of the eighties, but this happens in a very authentic and warm way instead of feeling boring and old-fashioned. “Blood” has a similar style, and starts with harmonious acoustic guitars before the song grows emotional and vivid. Kiske philosophizes about God in this song, and I must admit that the message and the lyrics of this track really touch and inspire me. I almost forgot that I had a religious side in myself, and this song has helped to awaken it again.

    Unisonic varies its approach between charming melodic rock and gripping power metal with intelligent lyrics throughout the album. If it was left to me to decide, the band members would immediately put their other involvements aside and only focus on Unisonic, because the band’s first two albums easily beat anything released by their main bands, and I consider these records to be among the greatest AOR and European power metal albums of the last few years. Light Of Dawn is a ride of pure fun with depth and a concept behind it. If you enjoyed the debut, you can expect more from this release. If you didn’t appreciate the first strike however, you may like the fact that this new album is a little bit straighter and heavier. In my opinion, the two complement each other very well, are equally fantastic, and well worth your time and money if you care for this kind of music.

    4.25 // 5

     

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  • Sao Du / The White Storm (2013)

     

    The Chinese action-drama "The White Storm" took me completely by surprise and I consider it even as the best movie of the year 2013. It's an emotional and almost epic movie about anger, betrayal, despair, forgiveness, friendship, loneliness, loss, love, regret and revenge.

    Almost all elements convinced me in these two hours and twenty minutes. First of all, there is the story that comes around with moments of tension and action but there are also calmer and even philosophical passages. The film has one major twist and several more original ideas but the whole thing always remains realistic enough to convince and never gets boring either.

    The acting in this movie is simply brilliant. The three main actors Ching Wan Lau, Louis Koo and Nick Cheung portray three unique and despair-ridden characters that perfectly complement each other. As a viewer you really care about this characters but as this is no Hollywood movie, don't expect a complete happy end.

    Despite a gripping plot around drug dealing issues in beautiful locations in China and Thailand among others, great chasing, martial arts and shooting sequences and flawless images, sounds and words, it's especially the emotional content of the movie that made this film not only a very good but an excellent movie. There were many sad but still a few hopeful moments in this movies that got me extremely close to crying which very rarely happens to me in movies.

     

    If you are a fan of Hongkong action cinema of the past three decades, intense thrillers with a few twists and credible dramas with gripping characters and touching dialogues, you must watch this movie. This is more than just a highly entertaining and modern movie. Don't be surprised to still think for several days about this film and to have a few tears in your eyes. If we consider the touching biopic "Mao's Last Dancer" from 2009 as Australian movie, then this here is by far the best Chinese film since Jet Li's "Fearless" in 2006. 

     

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  • Liebe Leser!

    Derzeit hat das Amphi-Festival eine Umfrage gestartet und möchte darin wissen, welche Bands den Festivalbesuchern dieses Jahres für die kommende Edition vorschweben würden. Ich habe mir über die Umfrage hinaus einige Gedanken gemacht und ein mögliches komplettes Programm erarbeitet. Lediglich die Aktivitäten im Theater, die meist eher überflüssig sind, haben dabei keine Berücksichtigung gefunden. Ich war bislang fünf Mal bei dem Festival (2006, 2007, 2009, 2012 und 2014) und mag es wirklich sehr, allerdings geht die Ausrichtung leider immer mehr Richtung EBM. Zwar liebe ich Bands wie Apoptygma Berzerk, aber früher habe ich mich eben auch ganz besonders über Bands wie The 69 Eyes und Co. gefreut. Ich denke, dass eine gesunde Mischung aus allen Sparten (Darkwave, EBM, Gothic Rock/Metal, Mittelalterrock, Neue Deutsche Härte, Neue Deutsche Todeskunst, Symphonic Metal), die beste Lösung wäre. Zudem wäre es wichtig nicht nur altbekannte, sondern auch neue und frische Künstler aus dem In- und Ausland zu fördern. Eisbrecher, Front 242 und VNV Nation sind zwar tolle Bands, waren aber alle inzwischen schon etliche Male dabei. Es ist mir natürlich durchaus klar, dass das Amphi-Festival nicht die ganz großen Namen wie etwa das M'era Luna stemmen kann. Unter dieser Berücksichtigung habe ich also folgendes Programm entworfen und würde mich gerne über Inspirationen und Kommentare freuen:

    Samstag:

    Staatenhaus

     

    12:30 – 13:10: Liebe, Tod + Teufel

     

    13:30 – 14:10: Rebentisch

     

    14:40 – 15:20: Wumpscut

     

    15:45 – 16:25: Cultus Ferox

     

    16:45 – 17:30: Leaves' Eyes

     

    18:20 – 19:10: Joachim Witt

     

    19:30 – 20:30: Sigh

     

    20:55 – 21:55: Chthonic

     

    22:30 – 23:30: Edenbridge

     

    00:00 – 01:30: Orphaned Land

     

     

    Mainstage

     

    12:00 – 12:30: Ivory Twilight

     

    12:50 – 13:30: Ewigheim

     

    13:50 – 14:30: Sound Horizon

     

    14:55 – 15:45: Xandria

     

    16:10 – 17:00: Crematory

     

    17:25 – 18:25: Das Ich

     

    18:55 – 20:05: Apocalyptica

     

    20:35 – 21:55: Moonspell

     

     

    Sonntag:

    Staatenhaus:

     

    12:15 – 12:55: The Samans

     

    13:20 – 14:05: Grausame Töchter

     

    14:30 – 15:20: Cephalgy

     

    15:45 – 16:35: Emily Autumn

     

    17:00 – 18:00: Ost+Front

     

    18:25 – 19:25: Lindsey Stirling

     

    19:55 – 21:10: The Vision Bleak

     

    21:40 – 23:00: In Extremo

     

     

    Mainstage

     

    12:00 – 12:30: Nocturne Moonrise

     

    12:50 – 13:30: Hämatom

     

    13:50 – 14:30: The Birthday Massacre

     

    14:55 – 15:45: Emigrate

     

    16:10 – 17:00: Atrocity

     

    17:25 – 18:25: Deathstars

     

    18:55 – 20:05: Die apokalyptischen Reiter

     

    20:35 – 21:55: Epica

     

    Beste Grüße,

    Sebastian

     

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