• Genre: Thrash Metal / Death Metal / Progressive Folk
    Label: Self-production
    Playing time: 46:58
    Band homepage: -

    Tracklist:

    1. อุบาทว์ - อุบัติ
    2. ดี - ใจ - หาย
    3. ทบทวนทาง
    4. สิ้นสุดความหมายแห่งการดำรง
    5. หมายกำหนดการ
    6. ความตายที่คุ้ยเคย
    7. ทางท้าทาย
    8. สู้จนสิ้นใจ
    9. คนโซเซ
    10. พบกันที่ดาวดวงใหม่

     

    Donpheebin - Disastrous Device Occurrence

    After a balanced first album somewhere between Folk Rock, Hard Rock, Heavy Metal and Thrash Metal and a much straighter second album influenced by pitiless Thrash and Death Metal, Thailand’s most important pioneer metal band DONPHEEBIN took a little bit from both sides and mixed them into a technically stunning extreme metal output where the beauty meets the beast.

     

    The opener “อุบาทว์ – อุบัติ or “Sinister – Emerge” goes back to the band’s roots. It opens with appeasing sound samples that seem to be taken from a small village close to the nature. You hear children talking and moving around but also crickets or birds and the whole thing has a very appeasing atmosphere. Melodic guitars set in and slowly develop this song into an ambitious metal song. Three minutes into the track, the riffs and the vocals shift towards a Thrash Metal inspired approach. A few Death Metal vocals can also be heard but the mixture of genres sounds much more outthought than on the second album. The beauty and the beast form a quite perfect couple on here and the opening song already introduces us to all that DONPHEEBIN has been about until then.

     

    While the harsher tracks on the second album reminded me more of METALLICA, MORBID ANGEL and SLAYER, some of the extreme metal tracks on here rather recall the unique techniques of VOIVOD. A pumping bass guitar, discordant dystopian guitar sounds and straight vocals that don’t care about technical skills but only about honest emotions dominate tracks such as “ดี - ใจ – หาย or “Good – I – Lost”. In not even three minutes, this song manages to be full of instrumental details while remaining absolutely energizing. Especially the outstanding guitar work is once again outstanding and presents us technical skills and emotions at the highest level.

     

    The band manages to sound very diversified on this album without losing its clear guiding line and unique style. The record sounds a lot more mature than the first two outputs. “ทบทวนทาง or “Reviewing” could also come from one of VOIVOD’s first three albums but has also a few classic heavy metal influences and a slightly dark doom metal atmosphere in the beginning. Even the rather short “สู้จนสิ้นใจ or “Fight To Death” prepares a few surprises in form of a vivid drum solo followed by a hesitating silence at the beginning of the otherwise rather straight song.

     

    The band also goes back to its folk influences and psychedelic tones that are mixed with the raw Thrash Metal sounds. The most outstanding example along the opener is the epic album highlight “หมายกำหนดการ or “Timetable”.

     

    After all, DONPHEEBIN manage to balance their two quite different sides in form of the more experimental Folk, Progressive and Psychedelic Rock influences on one side and the energizing Thrash and Death Metal passages on the other side on a very high level. The album has a clear guiding line, a very good flow and just the perfect length around forty-five minutes. Not every song is a killer but the band sounds more mature than ever. Even though I preferred the first record thanks to its more prominent emotional guitar solos, this third record defines the band a lot better than the other two and is a convincing return to form after the monotonous second album.

     

    (Online October 19, 2013)

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  • Rush (2013)

     

    "Rush" is definitely one of the best movies of the year and has many strong points to offer - even to those who aren't into motor sports at all. First of all, the acting is simply incredible. Chris Hemsworth performs the slowly dying kind of charming and charismatic pop stars among athletes that doesn't exist anymore in modern motor sports. He portrays a self-confident daredevil, playboy and sex symbol who seems superficial and unsympathetic at first sight but who turns out to be courageous and have more values than one might think. Behind his arrogant appearance is a breakable young man destined to live in the fast lane and die young. Many real persons from that time and especially the real Niki Lauda said that Chris Hemsworth acts and speaks exactly as the real James Hunt did which proves his incredible acting job. His antagonist is portrayed by Daniel Brühl who incarnates a young and motivated man who seems to be an arrogant and bourgeois nouveau riche at first sight but who turns out to be as breakable, courageous and determined as his concurrent. The two main characters are very different from each other but at the same time they have enough things in common to be at eye level during the most exciting Formula One season in history. I think that Daniel Brühl's acting is even better. He had to incarnate a real person that is still alive which is always tough. As a German he had to learn an Austrian accent to speak German and English in a credible way, he had to have the same gestures and he had to incarnate the same temperaments the real Niki Lauda. Thanks to a lot of details and time put into this acting job and many meetings with the real Niki Lauda, Daniel Brühl perfectly succeeded and delivers without the glimpse of a doubt the best acting performance of his career. The thing that impressed me the most was that the real Niki Lauda said that he thought of people being cruel and superficial when they have watched him with disgust or scare after his accident but when he watched this movie he had the same terrified reaction and finally understood why I all people had reacted that way so many years ago. His reaction proves how intense and real this movie is even though a few historical facts are of course exaggerated to put additional tension into this film. Next to the incredibly gifted two main actors who almost have the same screening time and are equally treated in depth even though the story is told by the film character Niki Lauda, one should not forget about a whole bunch of great supporting actors in this movie. There is simply no bad actor or actress in this film.

    Another strong point of this movie is the way it mixes the incredible true events by using many original settings from museums or archive footage with well integrated cinematographic elements such as an atmospheric soundtrack, intense dialogues and very well done special effects that are not overloaded with cheap effects but that feel as real as the rest of the movie. The camera work is quite perfect as it has a balanced mixture of cinematographic and documentary shots once again.

    And then there is the story which is highly based on true events. You don't need to be a fan of motor sports to get into this film. The story is about the clash of two very unique and different characters who seem to be antagonists and the roughest kind of competitors at first sight but who turn out to be more similar to each other than they might think. This movie is about competition, sportsmanship and more than all the precious value of life. It's also about the ups and downs that come with success. It's a movie about family values, love and friendship but also about extreme loneliness and despair. Many people don't understand why motor sport athletes are risking their lives for this sport. This movie gives us the answer. This sport is a lifelong dream of both characters and they entirely owe the lives they are living to their successful career. At the end, the movie shows us two very different ways how to deal with the risks of this dangerous job and where to stop playing with fate. This opens an almost philosophical and quite profound perspective that makes this movie something more precious than a simple action film or drama. It inspires you to think of which path you would have chosen as anybody should be able to at least partially empathize with the characters. 

     

    In the end, I recommend this film to any movie fan. No matter if you are a fan of action movies, biopics, dramas or suspenseful movies, this flick has it all and even more for you and the incredible acting plus the detailed settings are the cherries on the cake. The movie even includes a few humorous scenes, erotic moments but also philosophical elements. It's hard to create a more complete movie than this one but at the same time, this film always feels consistent and never loses track of its clear guiding line. Right now, this movie is worth nine out of ten and time will tell us if this might even be worth the perfect rate. I think this might be the case and hope that the movie will win a few Academy Awards along with the superb crime drama "Prisoners". These two movies are definitely the best of the year until now and the year is almost over. If you were hesitating whether to watch this film or not, you should by now have made your decision to go to the cinemas as long as this film is still there. Needless to say that the great camera work and the impressive sound effects work even better in cinema than at home. 

     

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  • The Family (2013)

     

    "The Family" is an enjoyable and entertaining movie that though lacks depth and direction. It's a comedy movie that intends to be a satire of several gangster movies. The clash of cultures between a family of Italian origin from Brooklyn living in a remote small-town in France is another main element of this film. While the movie has a couple of hilarious scenes, most of them remain predictable and are filled with dumb stereotypes that had already been cited over and over again. Among the funny moments, there is also some action and suspense but not too much of it.

    What I liked about the movie were the perspective changes. At some points, you see the gangsters trying to track down the family and the American agents giving their best to protect them even though they act somewhat silly and unprofessional. In the movie, you follow the traces of the criminal family father who is ready to change things in town he doesn't like and who starts writing his memoirs. You also see some scenes of the mother who seems naive and religious at first sight but also uncovers a lot of criminal potential. The family's daughter looks very good and gets a lot of attention at high school but her unrequited love to a math geek adds a dramatic and romantic touch to the movie and drowns her into depression. The son is going through hell on his first day at high school and then starts to elaborate a smart revenge on everyone around him where he comes close to his father. The acting in the movie is quite okay. Robert De Niro has some charm and charisma. Tommy Lee Jones as ill-tempered, serious old school agent also has a few strong scenes. The best acting though comes from the family's dog and I don't mean that in an ironic way. The pet is involved in some of the funniest scenes of the entire movie in my opinion. Each time it appears, the movie gets rather interesting and a new twist or turn while some parts of the film feel disoriented.

    The story of the movie is very thin and some scenes are completely dumb. The way the imprisoned gangsters find the whereabouts of the family is nonsense. The final fighting scenes on the movie are rather lame as well and I was really expecting something longer and more intense. The way the movie ends is almost abrupt and didn't please me as well.

     

    This all sounds rather negative now, but fact is that this movie is a quite diverting film that never gets boring despite its obvious flaws. It's a good film to have some laughs and switch your brain off because there is no big story you need to follow. You see a couple of older star actors and actresses as well as some solid young actors. If you can live with an absent story and a lot of stereotypes, you might eventually enjoy this action comedy movie but don't expect too much from it. Let's also add that this is a "film for the whole family" compromise kind of thing which means that everyone may find it okay but nobody really adores it. In fact, I would rather recommend you renting or buying the film instead of going to the cinema just for this. 

     

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  • Genre: Thrash Metal / Speed Metal / Death Metal
    Label: Self-production
    Playing time: 25:36
    Band homepage: -

    Tracklist:

    1. เรากำลัง
    2. สุดแท้ทางเดิน
    3. เมืองมรณา
    4. สังคมบัญชา
    5. วันนี้พรุ่งนี้
    6. วิมานนรก
    7. สายเสียแล้ว
    8. หลังสนธยา

     

    Donpheebin - Way of Death

    Only 11 months after their first record that varied between emotional and nature inspired ballads, melodic and technically appealing Heavy Metal songs and a couple of energizing Thrash Metal tracks, the trio ดอนผีบิน or DONPHEEBIN from Chiang Mai in Thailand is back with a follow-up entitled “เส้นทางสายมรณะ” or “Way of Death”. You might be surprised but there are a lot of changes between those two albums and sometimes you might even ask yourself if this is still the same band.

     

    Gone are the down-stripped ballads and the classic Heavy Metal anthems with extensive guitar solos. The pitiless and dystopian opener “สุดแท้ทางเดิน” or “The True Path” is a brutal piece of Speed and Thrash Metal with guttural vocals, high speed drumming and discordant guitar solos that take no prisoners despite a short mid-tempo breakdown in the middle of the track. This song sounds a lot like SLAYER for example and already shows us what this album may sound like. The vocals are sometimes even closer to Death Metal than to Thrash Metal vocals as well.

     

    The apocalyptic opening minutes of “สังคมบัญชา” or “Social Orders” are rather slow dystopian parts à la VOIVOD before the track gets a blistering twist with up tempo passages recalling early MORBID ANGEL for example. This sounds quite crazy and is a feast for any Extreme Metal fan. This album is a quite mixed bag for old and new fans. Those who liked the band’s first album might feel confused about the band’s development but those who thought that their first output was too soft might have a positive surprise with this if they haven’t written this band off yet.

     

    You might now think that the band only put a few harder songs at the beginning of the album just like on the previous release. But the whole record turns out to fully dedicated to up tempo Extreme Metal. I must though admit that the first three or four songs are by far the rawest ones while the other tracks sound a little bit more like melodic Thrash Metal in the key of HEATHEN or METALLICA and also include a few mid-tempo passages that may give you some time to breathe. Once you have accepted this change of style, you might realize that these twenty-five minutes are a great ride for those who appreciate the genre.

     

    In the end, the band delivers us an American sounding, and quite entertaining, mixture of Speed and Thrash Metal that should please to those who care for the early works of HEATHEN, METALLICA, MORBID ANGEL, SLAYER or VOIVOD. The record is a little bit too short with only twenty-five minutes of running time. Three instrumental tracks plus another song that only includes a few words as lyrics out of eight songs are way too much even if they happen to be rather short. They are not stunning enough or technically appealing to justify their existence. That’s why this record rather feels like a somewhat rushed EP release for faithful fans than a real full length release. With a few more regular tracks instead of the instrumentals, this could have been a really great and consistent record. As it is, this album has its charm but turns out to be a lot less essential than the first record. I would only recommend this to collectors of exotic Extreme Metal music.

     

    (Online October 14, 2013)

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  • October 7, 2013 in Reviews

    MDO2012Mägo De Oz- Hechizos, Pócimas y Brujería (2012)

    Reviewed by Sebastian Kluth

    After having covered a very bad Spanish release with the latest stinker from Tierra Santa, let’s take a look on a rather different effort from another famous Spanish metal band, Mägo De Oz”. The folk and Celtic metal band has been around for twenty-five years now and released Hechizos, Pócimas y Brujería after a short break last year. In comparison to Tierra Santa, which created some decent songs in their earlier years, I had some problems with the high-pitched, overwhelming tone of vocals by this band’s previous singer José Andrëa, who was in the band for fifteen years. The more grounded but still versatile new vocalist, Zeta, who came to the band around the same time as the new bassist and new keyboard player, impresses me much more, and truly convinced me on this, his first release with the band.

    Mägo de Oz is a band where the vocals are only one element amongst many others. They have nine band members, including a violin player and a musician for wind instruments such as bodhrans, flutes, and whistles. The mixture of folk and power metal on the new album should immediately appeal to fans of bands like Italians Elvenking or the French Les Trois Fromages, with highly danceable, fun songs like “H20z” (that also has a very humorous video clip). The band also offers more metal-driven tracks, like “El Libro De Las Sombras” or “Xanandra”, which should please those who adore DragonForce, Helloween, or Rhapsody of Fire.

    My personal highlights are others still, like the classic hard and progressive rock-inspired “No Pares (De Oír Rock & Roll)”, that sounds a little bit like a folk version of Deep Purple with its dominating keyboards. The operatic female vocals in the playful middle part come as welcome surprise as well. “Brujas” convinces with a darker atmosphere, excellent guitar solos, and a very smart use of female vocals. The closing title track, however, is the true highlight of this album. It features the band’s signature Celtic folk influences, including  excellent flute play, emotional guitar solos, and many gripping changes of atmosphere in over eight minutes of stunning music.

    If you can get your hands on the limited or digital version of the record, you should definitely do so. “Piratas” is a dark and cinematic track that perfectly fits the topic. This song would fit any soundtrack to a pirate movie. It reminds me a little bit of the German medieval rock band Cultus Ferox, in fact. A big surprise comes with the instrumental “Obertura Xanandra”, which is an excellent progressive metal track that could also have come from Dream Theater, and that easily beats the instrumental overture of that band’s last self-titled record. That’s nothing I would have expected from a Spanish folk metal band, but they really prove here what excellent and varied musicians they are.

    If you want an outburst of creativity centered on a vivid Celtic folk metal fun ride, this album should be yours by now.

    4.25 // 5

     

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