Three Billboards Outside Ebbing, Missouri (2017) - A highly emotive movie that restores some faith in Hollywood - 8/10 (11/12/17)

The unusually titled Three Billboards Outside Ebbing, Missouri is a big cinematic surprise towards the end of the year, receives massive critical acclaim and is even considered a favourite for the upcoming Academy Awards. All these positive reactions are well-deserved.

The only reason why I don't consider this film excellent is because of the rushed exposition and the aborted resolution. It would have been interesting to get a more detailed introduction instead of being thrown right into events based upon something that happened seven months earlier and which the viewers will have to figure out step by step. The open ending certainly has an intriguing artistic approach but my curiosity was certainly longing for a few more answers.

Everything that is actually shown on screen is though excellent. The story revolving around a bitter mother coping with the brutal death of her daughter is desperate, infuriating and touching. 

The characters is in this movie are dynamic and round as they have a lot of depth and smoothly change throughout the movie. Even the side characters such as an abusive ex-husband, a determined black sheriff and a provocative war veteran with a filthy secret are very interesting.

The acting performances by Frances McDormand, Woody Harrelson and Sam Rockwell are incredibly authentic and powerful. 

The movie manages to combine tense moments related to classic thrillers, tragic moments inspired by heartfelt dramas and a solid dose of absurd and black humour in a balanced way. Especially the humorous parts make the tragic story more bearable and the characters more human. As a spectator, you are constantly torn between wanting to cry, laugh and yell at the screen. The emotional power of this movie is of the grandest kind.

Three Billboards Outside Ebbing, Missouri is the movie you didn't know you have to watch this winter. It's a detailed, emotional and intelligent film with an immersive flow that requests multiple views. This film restores some faith in Hollywood cinema which had been rather unconvincing this year. I certainly hope the movie gets even more recognition and that cinemas around the world keep screening movies like these that take their audience seriously instead of only focusing on shallow sequels and superhero flicks.