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by Sebastian Kluth

Music as a Weapon of Mass Destruction - A Review of Pestilence's Levels of Perception

Music as a Weapon of Mass Destruction - A Review of Pestilence's Levels of Perception

Records such as Pestilence's Levels of Perception are the reason why some people call death metal fans white trash. While I'm usually someone who defends sub-genres, I certainly can't support that dreadful release in any possible way. I wouldn't have...

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Music as a Weapon of Mass Destruction - A Review of Pestilence's Levels of Perception

Music as a Weapon of Mass Destruction - A Review of Pestilence's Levels of Perception

Records such as Pestilence's Levels of Perception are the reason why some people call death metal fans white trash. While I'm usually someone who defends sub-genres, I certainly can't support that dreadful release in any possible way. I wouldn't have...

Lire la suite

Music as a Weapon of Mass Destruction - A Review of Pestilence's Levels of Perception

Music as a Weapon of Mass Destruction - A Review of Pestilence's Levels of Perception

Records such as Pestilence's Levels of Perception are the reason why some people call death metal fans white trash. While I'm usually someone who defends sub-genres, I certainly can't support that dreadful release in any possible way. I wouldn't have...

Lire la suite

Music as a Weapon of Mass Destruction - A Review of Pestilence's Levels of Perception

Music as a Weapon of Mass Destruction - A Review of Pestilence's Levels of Perception

Records such as Pestilence's Levels of Perception are the reason why some people call death metal fans white trash. While I'm usually someone who defends sub-genres, I certainly can't support that dreadful release in any possible way. I wouldn't have...

Lire la suite

Music as a Weapon of Mass Destruction - A Review of Pestilence's Levels of Perception

Music as a Weapon of Mass Destruction - A Review of Pestilence's Levels of Perception

Records such as Pestilence's Levels of Perception are the reason why some people call death metal fans white trash. While I'm usually someone who defends sub-genres, I certainly can't support that dreadful release in any possible way. I wouldn't have...

Lire la suite

Music as a Weapon of Mass Destruction - A Review of Pestilence's Levels of Perception

Music as a Weapon of Mass Destruction - A Review of Pestilence's Levels of Perception

Records such as Pestilence's Levels of Perception are the reason why some people call death metal fans white trash. While I'm usually someone who defends sub-genres, I certainly can't support that dreadful release in any possible way. I wouldn't have...

Lire la suite

Riding the Comet for One Hundred Thirty-Five Minutes - A Review of Ayreon's 01011001: Live Beneath the Waves

Riding the Comet for One Hundred Thirty-Five Minutes - A Review of Ayreon's 01011001: Live Beneath the Waves

As stated in previous reviews, progressive rock and metal project Ayreon doesn't play many shows but when it does, it's always worth genre fans' attention, recognition and respect. 01011001: Live Beneath the Waves is particularly intriguing to me because...

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A Pleasure for Your Senses - A Review of Ayreon's Electric Castle Live and Other Tales

A Pleasure for Your Senses - A Review of Ayreon's Electric Castle Live and Other Tales

Ayreon doesn't play a lot of concerts but when this outstanding progressive rock project does so, fans can expect an epic conceptual masterwork similar to musicals or even operas of the highest quality. Anyone who ever has the chance to attend one of...

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Curry King - A Review of Kerry King's From Hell I Rise

Curry King - A Review of Kerry King's From Hell I Rise

"Hey, grannie, do we still have Curry King?" "Nope but we have some Kerry King at home." There are actually quite a few similarities between the cheap fast food meal and Kerry King's debut full length effort From Hell I Rise which sounds much more evil...

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Straight from the Heart, Mind and Soul - A Review of Pain's I Am

Straight from the Heart, Mind and Soul - A Review of Pain's I Am

Eight years after Pain's last studio record Coming Home and numerous recordings with Lindemann, Peter Tägtgren has finally released the group's ninth full length effort that had been preceded by four singles. Even though much time has passed between these...

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