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by Sebastian Kluth

Atmospherically Colliding Soundscapes - A Review of Thy Catafalque's Meta

Atmospherically Colliding Soundscapes - A Review of Thy Catafalque's Meta

If you think that you have discovered everything that the metal scene can offer you, Thy Catafalque is a group that should certainly change your mind. Tamás Kátai's project combines blistering black metal with Hungarian folk music, smooth electronic soundscapes...

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Atmospheric Depth over Quirky Changes - A Review of If Anything, Suspicious' Offair: Lullabies for the Damned

Atmospheric Depth over Quirky Changes - A Review of If Anything, Suspicious' Offair: Lullabies for the Damned

In Flames singer Anders Fridén has always been willing to experiment with unusual sounds in his dynamic career. The Swedish teenager started his career as singer in death metal band Septic Broiler. He was then originally the drummer for melodic death...

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Inspired by Groove, Heavy and Thrash Metal of the Early Nineties - A Review of Volbeat's Servant of the Mind

Inspired by Groove, Heavy and Thrash Metal of the Early Nineties - A Review of Volbeat's Servant of the Mind

Volbeat is a very controversial band in the metal genre. Fans hail them as innovators with a unique style and open boundaries. Critics claim that the band flirts too much with commercial appeal by combining odd genres such as alternative rock, boogie...

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When Nostalgia and Genius Unite - A Review of Dream Theater's Lost Not Forgotten Archives: When Dream and Day Reunite (Live)

When Nostalgia and Genius Unite - A Review of Dream Theater's Lost Not Forgotten Archives: When Dream and Day Reunite (Live)

Lost Not Forgotten Archives: When Dream and Day Reunite (Live) is the fifth release of Dream Theater's Lost Not Forgotten Archives. It was previously released by YtseJam Records in 2005. The album contains the second set of a show in Los Angeles in 2004...

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Straight Into Your Face without any Compromises - A Review of Hämatom's Die Liebe ist tot

Straight Into Your Face without any Compromises - A Review of Hämatom's Die Liebe ist tot

German groove metal quartet Hämatom had finally shown off its true potential earlier this year, when releasing Berlin (Ein akustischer Tanz auf dem Vulkan), an acoustic record inspired country, folk, jazz and swing sounds of the twenties and thirties...

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Straight Into Your Face without any Compromises - A Review of Hämatom's Die Liebe ist tot

Straight Into Your Face without any Compromises - A Review of Hämatom's Die Liebe ist tot

German groove metal quartet Hämatom had finally shown off its true potential earlier this year, when releasing Berlin (Ein akustischer Tanz auf dem Vulkan), an acoustic record inspired country, folk, jazz and swing sounds of the twenties and thirties...

Lire la suite

Straight Into Your Face without any Compromises - A Review of Hämatom's Die Liebe ist tot

Straight Into Your Face without any Compromises - A Review of Hämatom's Die Liebe ist tot

German groove metal quartet Hämatom had finally shown off its true potential earlier this year, when releasing Berlin (Ein akustischer Tanz auf dem Vulkan), an acoustic record inspired country, folk, jazz and swing sounds of the twenties and thirties...

Lire la suite

Straight Into Your Face without any Compromises - A Review of Hämatom's Die Liebe ist tot

Straight Into Your Face without any Compromises - A Review of Hämatom's Die Liebe ist tot

German groove metal quartet Hämatom had finally shown off its true potential earlier this year, when releasing Berlin (Ein akustischer Tanz auf dem Vulkan), an acoustic record inspired country, folk, jazz and swing sounds of the twenties and thirties...

Lire la suite

Straight Into Your Face without any Compromises - A Review of Hämatom's Die Liebe ist tot

Straight Into Your Face without any Compromises - A Review of Hämatom's Die Liebe ist tot

German groove metal quartet Hämatom had finally shown off its true potential earlier this year, when releasing Berlin (Ein akustischer Tanz auf dem Vulkan), an acoustic record inspired country, folk, jazz and swing sounds of the twenties and thirties...

Lire la suite

Straight Into Your Face without any Compromises - A Review of Hämatom's Die Liebe ist tot

Straight Into Your Face without any Compromises - A Review of Hämatom's Die Liebe ist tot

German groove metal quartet Hämatom had finally shown off its true potential earlier this year, when releasing Berlin (Ein akustischer Tanz auf dem Vulkan), an acoustic record inspired country, folk, jazz and swing sounds of the twenties and thirties...

Lire la suite