by Sebastian Kluth
Par kluseba
Motherless Brooklyn is a wonderful film noir that combines drama with thriller elements. It's easily the greatest American movie of the year and only South Korean masterpiece Parasite beats it on an international level. I wouldn't be surprised if this movie were nominated for several Academy Awards a few months from here.
The greatest element about this movie is its atmosphere. It's dirty, gloomy and sinister. This is due to excellent camera techniques recalling film noir techniques of the fifties. The light techniques also blend in very well as the movie works a lot with dimmed lights and different shades. The settings also contribute as the lifestyles of the rich and poor are contrasted by the locations they live. The period cars, clothes and music blend in perfectly as well. There are few films that have brought the past back to life so authentically as it's the case here.
One has to point out the character developments and excellent acting performances. Edward Norton is incredible as socially awkward investigator with a strong moral compass. Gugu Mbatha-Raw convinces as upright human rights activist with a mysterious past. Alec Baldwin convinces as ambitious, eloquent but sinister businessman. Willem Dafoe perfectly incarnates his brilliant, desperate and isolated brother. Bruce Willis convinces as courageous leader with a hidden agenda. The way these numerous characters interact like dynamic pawns in a twisted game of chess is absolutely incredible.
Last but not least, one has to underline the excellent story. It comes around with interesting developments, turns and twists without ever feeling staged. The story is on the pulse of time of what was going on in the United States of America in the years and decades following the Second World War. You can learn about that period of time in this movie than you ever will in documentaries and history books. Telling you anything more would lessen the magnificent experience of watching this masterpiece.
In the end, Motherless Brooklyn is a brilliant film noir that perfectly balances drama and thriller elements. It's a movie that takes its time to develop its characters, settings and story but the audience will be rewarded with an authentic, emotional and intellectual masterpiece. Nervously fidgeting youngsters might find the movie slightly long-winded but fail to understand that this movie successfully hearkens back to the art of cinematography established throughout the golden years of American filmmaking.
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