by Sebastian Kluth
“Bruchstücke – Zehn Raritäten aus der In Extremo-Privatsammlung“ is a short compilation issued with the German Metal Hammer magazine in support of the "Kunstraub“ record and includes ten rare or unreleased tracks. While this collector’s item is a nice...
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“Bruchstücke – Zehn Raritäten aus der In Extremo-Privatsammlung“ is a short compilation issued with the German Metal Hammer magazine in support of the "Kunstraub“ record and includes ten rare or unreleased tracks. While this collector’s item is a nice...
Lire la suite
“Bruchstücke – Zehn Raritäten aus der In Extremo-Privatsammlung“ is a short compilation issued with the German Metal Hammer magazine in support of the "Kunstraub“ record and includes ten rare or unreleased tracks. While this collector’s item is a nice...
Lire la suite
“Bruchstücke – Zehn Raritäten aus der In Extremo-Privatsammlung“ is a short compilation issued with the German Metal Hammer magazine in support of the "Kunstraub“ record and includes ten rare or unreleased tracks. While this collector’s item is a nice...
Lire la suite
“Bruchstücke – Zehn Raritäten aus der In Extremo-Privatsammlung“ is a short compilation issued with the German Metal Hammer magazine in support of the "Kunstraub“ record and includes ten rare or unreleased tracks. While this collector’s item is a nice...
Lire la suite
Imagine “The X-Factor” with a straighter live production and Bruce Dickinson on vocals and you get “A Matter of Life and Death” which includes mostly depressing and lengthy mid-tempo tracks about war and other sinister topics. As I am a person who likes...
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Kokumaromilk is a weird band from Japan built around multi-instrumentalist and singer Iwama Hiroyuki and female singer Uzu who usually play metal cover songs under the banner Pleasure Music Temple. Their side project is experimental, over-the-top Visual...
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Metallica’s black album lacks so much originality that it isn’t even worth a proper name. The band kept only the worst parts of the great predecessor “…And Justice for All”, namely a very clinical production and the groove metal influences. Instead of...
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Metallica’s black album lacks so much originality that it isn’t even worth a proper name. The band kept only the worst parts of the great predecessor “…And Justice for All”, namely a very clinical production and the groove metal influences. Instead of...
Lire la suite
Metallica’s black album lacks so much originality that it isn’t even worth a proper name. The band kept only the worst parts of the great predecessor “…And Justice for All”, namely a very clinical production and the groove metal influences. Instead of...
Lire la suite