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by Sebastian Kluth

Heavy metal warriors of the mid-eighties stranded in the oil province - A review of Riot City's Burn the Night

Heavy metal warriors of the mid-eighties stranded in the oil province - A review of Riot City's Burn the Night

Just a look at the great cover artwork recalls the works of Judas Priest three and a half decades ago and this is also exactly the sound Riot City is going for on its debut full length effort Burn the Night. The young quartet from Calgary offers eight...

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Heavy metal warriors of the mid-eighties stranded in the oil province - A review of Riot City's Burn the Night

Heavy metal warriors of the mid-eighties stranded in the oil province - A review of Riot City's Burn the Night

Just a look at the great cover artwork recalls the works of Judas Priest three and a half decades ago and this is also exactly the sound Riot City is going for on its debut full length effort Burn the Night. The young quartet from Calgary offers eight...

Lire la suite

Heavy metal warriors of the mid-eighties stranded in the oil province - A review of Riot City's Burn the Night

Heavy metal warriors of the mid-eighties stranded in the oil province - A review of Riot City's Burn the Night

Just a look at the great cover artwork recalls the works of Judas Priest three and a half decades ago and this is also exactly the sound Riot City is going for on its debut full length effort Burn the Night. The young quartet from Calgary offers eight...

Lire la suite

Heavy metal warriors of the mid-eighties stranded in the oil province - A review of Riot City's Burn the Night

Heavy metal warriors of the mid-eighties stranded in the oil province - A review of Riot City's Burn the Night

Just a look at the great cover artwork recalls the works of Judas Priest three and a half decades ago and this is also exactly the sound Riot City is going for on its debut full length effort Burn the Night. The young quartet from Calgary offers eight...

Lire la suite

Duality of aggression and melody - A review of Hellyeah's Unden!able

Duality of aggression and melody - A review of Hellyeah's Unden!able

When I attended a concert of groove metal quintet Hellyeah a few years ago, some people commented that the band was trash and that it would be a waste of time going to their show. The band played a great concert and had an excellent communication with...

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Experimental sonic suicide - A review of Bethlehem's Lebe dich leer

Experimental sonic suicide - A review of Bethlehem's Lebe dich leer

Bethlehem is one of the most experimental black metal bands you will ever come across. The band's ninth studio record in twenty-eight years represents the quartet's unusual soundscapes rather well. Depressive, nihilistic and suicidal black metal outbursts...

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Avantasia at MTelus in Montreal

Avantasia at MTelus in Montreal

Slayer, Lamb of God, Amon Amarth & Cannibal Corpse live at Canadian Tire Centre in Ottawa

Slayer, Lamb of God, Amon Amarth & Cannibal Corpse live at Canadian Tire Centre in Ottawa

Another unique brand from Quebec - A review of Les Ékorchés' Frères de sang

Another unique brand from Quebec - A review of Les Ékorchés' Frères de sang

Les Ékorchés play a very unique and interesting mixture of sludge metal with some hardcore roots that is mixed with the sounds of some acoustic guitars and especially an electric cello which gives some dark and dramatic vibes to the music. Those instruments...

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Relentless party spirit with grim undertones - A review of Tainted DickMen's The Defects of Humanity

Relentless party spirit with grim undertones - A review of Tainted DickMen's The Defects of Humanity

The Defects of Humanity is the first demo release of Japanese group Tainted DickMen that combines blistering grindcore with raw thrash metal. The band sounds like a more contemporary, energetic and versatile version of Stormtroopers of Death and the numerous...

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