by Sebastian Kluth
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Saltatio Mortis’ nine band members have been a part of the German medieval rock scene since the year 2000. This scene came to life in the middle of the 1990’s when medieval market bands started to mix traditional instruments like bagpipes, bouzoukis,...
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Saltatio Mortis’ nine band members have been a part of the German medieval rock scene since the year 2000. This scene came to life in the middle of the 1990’s when medieval market bands started to mix traditional instruments like bagpipes, bouzoukis,...
Lire la suite
Saltatio Mortis’ nine band members have been a part of the German medieval rock scene since the year 2000. This scene came to life in the middle of the 1990’s when medieval market bands started to mix traditional instruments like bagpipes, bouzoukis,...
Lire la suite
Saltatio Mortis’ nine band members have been a part of the German medieval rock scene since the year 2000. This scene came to life in the middle of the 1990’s when medieval market bands started to mix traditional instruments like bagpipes, bouzoukis,...
Lire la suite
Saltatio Mortis’ nine band members have been a part of the German medieval rock scene since the year 2000. This scene came to life in the middle of the 1990’s when medieval market bands started to mix traditional instruments like bagpipes, bouzoukis,...
Lire la suite
Saltatio Mortis’ nine band members have been a part of the German medieval rock scene since the year 2000. This scene came to life in the middle of the 1990’s when medieval market bands started to mix traditional instruments like bagpipes, bouzoukis,...
Lire la suite
Saltatio Mortis’ nine band members have been a part of the German medieval rock scene since the year 2000. This scene came to life in the middle of the 1990’s when medieval market bands started to mix traditional instruments like bagpipes, bouzoukis,...
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One year after the very promising and energizing progressive/symphonic power metal debut 不死魂 / The Soul That Never Dies, the female fronted Taiwanese five piece comes around with a more than convincing successor. The new record, 平等精靈 / The Equal Spirit,...
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Two years after the female fronted symphonic power metal milestone The Equal Spirit, Seraphim came around with another high class genre release that would mark singer Pay Lee’s swansong. The band kept the strong elements of the predecessor, such as epic...
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Three years after Ai, Taiwanese symphonic power metal band Seraphim is back in strength with the well-titled Chinese language record Rising, which was also released with English lyrics to the international market one year later. A lot of things have changed...
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