by Sebastian Kluth
This album is one of Senmuth's weirdest works. He mixes female Indian folk chants, acoustic guitar passages, didgeridoo jams, spacey synthesizer experiments and intense electric guitar solos into one album. Just take a look on his stunning artwork here...
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Ayreon's second full length output is a quite unique piece of music from this project. For the first and last time, the Dutch mastermind Arjen Lucassen decided to not invite a high number of guest musicians but did something like a solo project where...
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RXG-242-11 is one of the heavier albums of our Russian mastermind Senmuth. It has a dystopian sound and is mostly straight forward without forgetting to include weird industrial samples. The album may be less majestic and coherent than some of his other...
Lire la suiteEven though this well known, sold and discussed record gets bashed on a regular basis by the so called fans, this record is the Dimmu Borgir's summit to me and perfectly defines what the band is all about. Dimmu Borgir did pretty much everything right...
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Yes, Senmuth got an acoustic guitar and a dutar and he just wanted to test his two new instruments on this calm, meditative and insightful record for us. In fact, he plays both instruments quite well and his skills remind me a little bit of Cat Stevens,...
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Senmuth offers us what seems to be one of his most progressive, experimental and diversified albums. Let's just take a look at the inspiring and epic cover artwork, the length of the six songs and the topic about the creation of the world. Well, Senmuth...
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Swadhisthana is one of Senmuth's earliest masterpieces. It's a great electronic folk album about Hindu religion, Indian culture and Central Asian lifestyle. Senmuth was influenced by some Indian movies he saw and this album uses some film samples and...
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Со(знание)бытия is not only a strange album title that can't really be accurately translated into any other language than Russian, it's also one of the weirdest releases in the whole Senmuth discography. This album is at first hand somehow a great overall...
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Three years after the dark and modern Tinnitus Sanctus, Edguy seems to be back with a new album that heads back towards the power metal sound they had before but with a big influence from the hard rock sounds of the seventies and eighties. The opener...
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Here's another original and technically skilled band coming from Québec. Martyr delivers technically solid death metal with many experiments and surprises such as floating progressive parts, jazz sounds and calm interludes. The band follows the tradition...
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