Election 2 is a sequel to the excellent Hong Kong gangster drama released one year earlier. The director and most of the cast have returned for this intriguing sequel. This explains why the movie doesn't only live up to expectations but is as great as the first part.

The film takes place about two years after the events of the previous movie. The two-year term of triad chairman Lok is about to expire as the next election nears but the chairman plans on refusing to step down and wants to keep his position. His biggest concurrent is businessman Jimmy who is forced into becoming a chairman by Chinese police officials to expand his business into China. Another opponent named Kun initially plans on murdering Lok but the current chairman proposes a joint bid instead and tricks Kun into kidnapping Jimmy's supporters. Lok then manipulates another potential candidate named Jet, an assassin living in the shadows, by promising him to become his successor if he helps him eliminating Jimmy. The smart businessman is however well aware that his life is in danger. Jimmy sends his wife to a safe house, plans on pinning recent crimes on Lok and thus become the next chairman.

This gangster movie convinces with a surprisingly realistic story. Despite its epic proportions, the director created a calm, coherent and fluid movie that is easy to follow even if you might not have watched the first film. The different characters are often diversified, dynamic and profound. The film has a dramatic, sad and serious tone that sometimes shifts to nihilistic, overwhelming and violent passages. The three most memorable scenes are Jet's assassination attempt on Jimmy, the gruesome torture sequences by Jimmy and his supporters and the final defeatist conclusion that offers food for thought and room for debates.

It doesn't happen too often that a sequel is as great as the original film but it's certainly the case for the Election duology. It wouldn't be exaggerated to call the Election duology Hong Kong's take on the Godfather trilogy. It would have been amazing to get even more entries into this franchise. Anyone who appreciates gangster movies should watch and purchase both parts without hesitation.

Partially based upon historical events, Bernard Rose's Samurai Marathon portrays how a Japanese lord sends his men on an exhausting run to get them prepared for a potential attack by Western forces after centuries of isolation. The movie follows different characters involved in the marathon such as a boy attempting to honour his father, a conflicted spy whose loyalty gets tested and a rebellious princess longing for freedom. The main plot revolves around a misunderstanding as the military dictator misunderstands the marathon as a rebellion and sends his assassins to murder the feudal lord.

The movie convinces on quite a few levels. The settings are chosen with care and bring feudal Japan to life in an authentic way that will please historians despite a few minor inaccuracies. The different characters have depth and make the story diversified. The plot includes a few interesting twists and turns. The final thirty minutes are intense and feature some realistic fighting scenes. The vibrant score is epic and enhances the movie's menacing atmosphere.

However, the film isn't without its flaws. The introduction to the different characters and settings takes half an hour which makes for a somewhat plodding start. There are no noteworthy action scenes until the sixty-sixth minute. Those who are expecting a gripping sword fighting movie might be disappointed. This movie is a surprisingly slow paced drama with some action elements in the final third. Especially the ending should have been more intense as the film rather fades out than ends with a bang.

In the end, Samurai Marathon is recommended to those interested in Japanese culture, history and traditions. The diversified characters and dynamic story make for a convincing drama. The movie however also has its lengths and fails to leave a deeper impression. It certainly disappoints if you have been expecting an action film from the misleading trailers. The movie recalls samurai movies from the fifties and sixties by Kurosawa Akira, Misumi Kenji and Uchida Tomu.

Graveyard of Honor is one of the best and most influential Japanese gangster movies ever made. If it had been more popular abroad, this movie might have the same reputation as The Godfather, Once Upon a Time in America and The Untouchables have today. This film was later on re-imagined by legendary Japanese director Miike Takashi.

The original movie by Fukasaku Kinji is an adaptation of Goro Fujita's novel of the same title and partially based upon real-life gangster Ishikawa Rikio. The film's antagonist starts as an ambitious gangster who assaults and steals money from numerous families but is unfit to be a permanent member of any family due to to his unconventional and violent behaviour. Things spiral out of control when the antagonist assaults the boss of his current family and is banished from Tokyo for ten years. The gangster spends some time in prison before moving to Osaka and becoming a drug addict that hangs around with unreliable junkies and sick prostitutes. He quickly returns to Tokyo and brutally clashes with the only friend he had left who has become an influential gangster boss. The antagonist is now hunted down by two gangster families and the police as he fights for survival while trying to organize some changes in his life.

There are many brutal Japanese gangster movies released between the late sixties and late seventies but Graveyard of Honor stands out for multiple reasons. The movie features numerous interesting characters such as the sick prostitute who accompanies the antagonist or his estranged friend that he met in prison. The movie has many violent action scenes that have aged surprisingly well but also some quiet dramatic parts that emotionally portray the downfall of the ambitious antagonist. The cinematography is absolutely outstanding with parts of the movie filmed in black and white as well as in sepia to introduce changes and flashbacks that give the final result an experimental mockumentary style. Despite these unconventional elements, the movie is coherent, entertaining and fluid from start to finish.

To keep it short, anyone who likes gangster movies should know, buy and appreciate Graveyard of Honor. The movie has recently been reissued in a boxed set with Miike Takashi's re-imagined version by Arrow Films. This boxed set is a little bit expensive but crafted with much care and certainly worth every single penny.

Street Mobster is a violent Japanese gangster movie by prolific director Fukasaku Kinji who would later on direct influential genre masterpieces such as Battles Without Honor and Humanity, Graveyard of Honor and Yakuza Graveyard. Western audiences know him as the director of dystopian action thriller Battle Royale which was the last movie he was able to complete.

The story of this movie is rather simple. It follows the life of a violent gangster who attacks the members of an inflluential clan who try to extort money from him and associates. He spends some time in prison but soon forms a new gang that is particularly violent. He ultimately gets injured and is temporarily forced to join a bigger family for protection. When another and even bigger family from Osaka tries to increase its influence in Kawasaki, the film's violent antagonist decides to disrespect common conventions and brutally disrespects the different gangster families. The three involved families come to the only reasonable conclusion: they must cooperate to eliminate the antagonist and his associates to preserve peace.

The most interesting element about Street Mobster is its violent, nihilistic and egoistic antagonist who isn't interested in compromises, peace or truces. He desires to become the biggest gangster boss in the country by any means necessary. While this character is extremely dislikeable, he is brutally consequent and honest in his actions and therefore more complex and profound than one might think at first contact. The movie impresses with numerous violent scenes supported by dynamic camera work that have aged rather well and can still be considered offensive nowadays. The film has frantic pace and entertains from start to finish.

On the negative side, there are very few characters to sympathize or empathize with. As opposed to Western gangster movies, even the victims and outsiders in organized crime come off as careless and despicable. The story is also extremely thin and quite predictable. The action scenes are quite intense but also rather repetitive. The movie impresses at first contact but lacks creativity, depth and diversity.

To conclude, you should watch Street Mobster if you are looking for a particularly brutal, entertaining and fast gangster movie that has stood the test of time. This film certainly entertains while it last but doesn't leave any deeper impression due to its thin story line. Street Mobster is a feast for genre fans but can't compete with Fukasaku Kinji's later works.

Horrors of Malformed Men is a quite experimental movie by veteran director Ishii Teruo that has been inspired by the tales of famous mystery and horror author Edogawa Rampo who had himself been inspired by Western authors such as Edgar Allan Poe. This experimental movie at the pulse of its time combines several of these tales. The main issue is that this fusion isn't always fluid and leads to two completely contrasting parts.

The first half of the movie is a murder mystery tale. A medical student without any recollection of his past is trapped in a sinister asylum. He manages to escape when one of the guards attempts to murder him. The fugitive discovers the photograph of a recently deceased man from a prosperous family who looks exactly like him. The medical student decides to take the dead man's identity to find out the truth about his origins and escape from the police.

The second half of the movie is a supernatural horror tale. The medical student travels to the island of a mad scientist who transforms perfectly normal humans into hideous freaks to create a better society. He gets captured, manipulated and threatened by the scientist and attempts to escape the island and prevent the scientist's megalomanic plans.

It's probably a matter of prefence whether you prefer the first or the second half of the movie but they are so different from each other that few people will equally appreciate both parts. The first half is atmospheric, mysterious and surprising as it convinces with clever storytelling and intriguing characters. It recalls numerous European murder mystery films as especially the German Edgar Wallace films and the Italian giallo genre come to mind. The second half is much more brutal, experimental and frantic and ventures into experimental cinematography with hectic camera work, numerous flashbacks and colourful locations. It's a mixture of Japan's very own pink film genre of the sixties and American pre-war science-fiction and horror cinema somewhere between King Kong and Island of Lost Souls.

In the end, Horrors of Malformed Men is certainly daring, entertaining and unconventional. However, the script is all over the place and the conclusion might even be too unconventional for most open-minded cineasts. Ishii Teruo should have created two different movies here instead of putting together two ideas that don't gel.