Zatoichi and the Chess Expert is the twelfth entry in the franchise and one of the best movies about the blind masseur, skilled gambler and skillful swordsman. The story of this film is unusually clever, complex and twisted. Zatoichi meets a smart chess player while traveling on a ship and the two end up respecting one another so much that they start traveling together. When Zatoichi is attacked by some folks whom he tricked during a dice game on the ship, a young girl traveling with a beautiful woman gets injured, so Zatoichi organizes some medicine and travels with the two as he grows fond of the joyful child. Zatoichi also encounters a sick man and his sister who is disguised as a man to avoid trouble on the road who travel with a helpful retainer who gets brutally murdered during a prayer. Soon enough, these three seemingly different story lines end up being connected in most surprising ways as Zatoichi needs to figure out who is friend and who is foe.

What I really liked about this film is the complex story with its numerous clever twists. The characters also have great depth. Even Zatoichi seems more emotional than usual as he opens up about the love of his life and his low self-esteem while being caring, helpful and respectful to those who need his help. The perfectly portrayed chess expert is hard to figure out because of his harsh convictions versus his impressive intelligence. The young woman Zatoichi travels with falls in love with the blind samurai and is at times desperate and at other times joyful about their complicated relationship. Her child is quirky but polite and its heart-warming to see how the girl and Zatoichi grow fond of one another. The sick man, his mysterious sister and his helpful retainer are also quite intriguing characters. This movie is more than just a classic chambara film and also a drama for all the complex relationships going on and a thriller because of the cruel murder of the retainer. The movie's atmosphere gets more and more mysterious throughout the nicely paced film. The landscapes are memorable, gorgeous and authentic, especially the port and ship in the beginning of the film and the modest inn with the hot springs that plays a central role in this film. The fight scenes are more vivid than in the preceding film. Most sword fights occur at the beginning and in the final five minutes but they are nicely choreographed. My favorite fight scene was when Zatoichi got ambushed in the middle of the night in the muddy meadows while carrying the expensive medicine for the sick child.

There really isn't much to criticize regarding one of the franchise's very best films. Obviously, there are some recurring elements in the movie such as numerous gambling scenes, traditional sword fights and Zatoichi traveling through rural landscapes but these predictable elements give each film about the blind masseur their very own identity.

If you like sword fighting movies or care for Japanese culture, history and nature, you will particularly like Zatoichi and the Chess Expert. You an learns more about Japan in one hour and a half here than you could by watching anime for a whole year. Since this is one of the most profound entries in the franchise, this movie would be recommendable to get to know a true piece of Japanese art.

After releasing one of the very best entries in the franchise with the sinister Zatoichi's Revenge, Zatoichi and the Doomed Man is one of the weakest films about the blind masseur. It tells how Zatoichi gets arrested for illegal gambling and meets a prisoner who is about to get sentenced to death for crimes he claims he didn't commit. He asks Zatoichi to help him by meeting his boss as well as his sworn brother who could clear his name. Zatoichi is first reluctant to help but once he does, he realizes that the prisoner got set up by his two friends and tries to set things right.

Despite being one of the weakest entries in the franchise, Zatoichi and the Doomed Man still has a few positive elements to point out. The pace of the film is rather quick as the story unfolds coherently and the set of characters is introduced step by step. This film certainly isn't boring. An interesting element is the idea to include an impostor who claims to be Zatoichi to get alcohol, money and women which adds some situation comedy to the film. The landscapes are particularly interesting in this film as Zatoichi travels to the ocean for the first time in his life and as the final duel takes places in an abandoned fishing village in the dunes which looks gorgeous.

There are a couple of elements that weigh that movie down. First of all, the sword fights are particularly wooden, especially since Zatoichi doesn't have to face a respectable opponent this time around. The idea of his opponents to use trenches and fishing nets to trick the lowly yakuza in the final fight sequence is the only remotely interesting element about the fight scenes in this film. The impostor who claims to be Zatoichi seems intriguing at first but quickly becomes very annoying as his only purpose seems to be to bring some comic relief in form of silly slapstick scenes. Aside of Zatoichi, most characters remain either shallow or are unnerving, like the woman who claims to know him and follows him around to give him useless tips. A final element that bothered me was the fact that the fate of numerous characters and side stories isn't even explained at the end of the movie. Maybe the makers of the movie believed some of the characters to be so generic that the viewers wouldn't even care about their fates which is strange but turns out to be accurate in my book.

In the end, Zatoichi and the Doomed Man is an entertaining and fast-paced entry in the franchise but ultimately overtly humorous and just not memorable. Collectors and fans of the franchise might appreciate the film for its atmosphere, locations and the sympathetic lead character but those who aren't too familiar with the blind samurai definitely shouldn't start their journey with this movie.

Zatoichi's Revenge is the tenth film of the franchise about the blind masseur turned lowly yakuza and skilled swordsman with a strong moral compass. In this movie, Zatoichi plans to visit his old master who taught him how to become a masseur. Upon arriving in the town he left ten years earlier, he realizes a lot of things have changed for the worst. His master got brutally murdered two weeks before his arrival and his daughter was forced into prostitution to pay for her father's debts. Zatoichi soon realizes that the local intendant terrorizes the town by forcing women and even children into prostitution, forcing men into debts and controlling local businesses, a brutal mob and influential politicians. Zatoichi realizes he can't fully rely on the abused and scared citizens as he tries to find a way to put the intendant's reign of terror to an end, avenge his master and save the master's daughter. 

One thing that makes this film stand out is its brutal, dark and gloomy atmosphere. Brothels usually serve as colorful backdrops in many traditional Japanese movies but this one here is different. It shows us how women and even girls are forced into prostitution, insulted, beaten up and starved in pitiless ways. Especially the ruthless intendant and his mob as well as the female owner of the brothel are shown as exploitative maniacs who treat the women worse than animals. In one scene, Zatoichi has to give the local intendant a massage while one hears how the owner of the brothel beats up a virgin prostitute who was reluctant to sleep with the intendant in the next room. She doesn't even try to hide what she is doing in order to intimidate the other prostitutes. Another element that adds to the atmosphere is the fact that the citizens are constantly scared. A local dice dealer who is initially friendly towards Zatoichi is forced to trick him during a game and then forced to steal the blind masseur's cane or else his young teenage daughter would end up being a prostitute. The viewers discover the darkest places of the town such as the filthy brothel, poorly equipped dwellings, shady bars and restaurants as well as many dark alleys as the film is mostly taking place at night which only adds to the sinister tone. Rarely have the antagonists been as ruthless as in this film of the franchise. Even the ronin who duels Zatoichi turns out to be a man without honor as he kills innocent men, constantly tries to provoke Zatoichi and even assaults him with a horse instead of opting for a fair duel. Two honorable mentions go out to the fitting absence of slapstick humor and the gloomy soundtrack that also recalls elements of the western genre.

There aren't many flaws in what might be one of the franchise's very best films. Obviously, the story is quite predictable and the settings are quite similar to some we have seen in many other movies of the franchise. The sword fights are also quite similar to what was offered in previous films. Instead of focusing on flashy choreographies, even the sword fights are brief, brutal and pitiless like the story itself.

Zatoichi's Revenge is a highlight of the franchise because of its brutal story, gloomy atmosphere and despicable antagonists. The film goes away from the previous three or four films that had more humorous elements and might be the most serious entry in the franchise. Any collector or follower of the franchise should watch this film and even those who aren't familiar with the franchise can watch this intense film without any regrets. It's not the sword fights that make this film stand out but its uniquely sinister tone that strikes a chord with the viewers.

Adventures of Zatoichi is the ninth film of the franchise based upon the blind masseur. Zatoichi wants to celebrate New Year's Eve peacefully in a town next to a mountain where a lot of artists, businessmen and comedians have gathered. However, they are soon informed that the local intendant plans on asking forty percent of their profits. This isn't the only bad news as Zatoichi must share his room with two beautiful but desperate women. One is looking for her father who mysteriously disappeared about a month ago. The other one secretly meets her brother who was tricked into committing a crime for the local intendant, just to be captured and sent into exile and who managed to escape to have his revenge. Zatoichi wants to help the two women and put an end to the local intendant's abusive reign of terror.

One element I liked about the movie was the intriguing cast of characters. The two resilient and strong women aren't as flat and stereotyped as in other films of the franchise and one actually cares about their fates. Two other interesting characters are two gymnast boys who occasionally help Zatoichi and the two women and are a welcome change if compared to the kids that usually just make fun of the blind swordsman in the other movies. Zatoichi also has to face two quite intriguing swordsmen hired by the local intendant. One of them is frustrated by his low salary and decides to avoid fighting Zatoichi. The other one is a disillusioned man from a poor family who only wants to fight Zatoichi because he sees a valuable opponent in him. Another intriguing character is an old drunkard who reminds Zatoichi of his own father.

This leads to another strong element of the story. This film gives us some more background information about Zatoichi. It tells us how he got separated from his father when he was just five years old and how he desires to meet him again. The movie exposes Zatoichi's desire to have a normal life with a normal family as he grows tired of his life as a criminal and drifter. The film adds some depth to an already intriguing protagonist.

Another element to appreciate is the movie's atmosphere. The diversified locations include traditional Japanese inns, shady bars and dark guard stations. The numerous colorful artists, businessmen and comedians are also interesting to watch. The movie is filmed with much precision and beautiful backdrops. Especially the final scenes with sword fights in the snow and a rising sun above a mountain are particularly beautiful. The film finds the right balance between gloomy backdrops and beautiful settings.

However, the film also has a few minor flaws. The story is nicely developed and unfolds smoothly but it's hardly surprising and lacking fresh elements. Most twists are quite predictable and only the side story between the blind masseur and the local drunkard tries to add something new to the franchise. Another problem is that the sword fights aren't particularly interesting. They are often brief and repetitive and especially the final showdown is slightly underwhelming.

In the end, Adventures of Zatoichi is a good average entry in the franchise as it neither stands out negatively or positively. Those who are familiar with the franchise will like this film for sure. Those who aren't familiar with it yet shouldn't start here and either watch the very first film or the contemporary remake with Kitano Takeshi.

Fight, Zatoichi, Fight is the eighth entry in the franchise and one of the most unusual movies in the series. In the beginning of the movie, a young woman who is on her way to her husband with her infant son gets mistakenly killed by a group of samurai who are actually chasing Zatoichi. The blind masseur decides to take the baby of the deceased mother to its father who is living in an isolated village about sixty-five miles away. On his way, Zatoichi teams up with a kleptomaniac prostitute who helps him nurse the child. However, the samurai are still chasing Zatoichi and have identified the presence of the baby as a potential weakness of the blind masseur. As if that weren't enough, Zatoichi must deal with an unpleasant surprise when he finally meets the baby's father.

The movie with the misleading title stands out for three reasons. First of all, Zatoichi becomes surprisingly caring, emotional and tender as he grows fond of the baby boy he protects. Secondly, the movie includes a lot of slapstick humor with Zatoichi stealing clothes on a scarecrow to use them as diapers, with the infant child accidentally peeing on two angry sumo ringers and with a group of elderly blind people who fool the group of samurai that are chasing Zatoichi in hilarious manners. Thirdly, the addition of a kleptomaniac prostitute is quite interesting as she turns out being a very clumsy, emotional and romantic drama queen who often argues with Zatoichi. These three elements add a fresh touch to the Zatoichi franchise and offer several truly memorable scenes such as Zatoichi attempting to breastfeed the baby.

On the other side, the movie doesn't really have an intriguing plot as it basically follows Zatoichi on his way to bring the child to its father. The movie is lacking action and tension as fight scenes are rarely shown and not particularly well choreographed. The movie rather feels like a slice of life promoting family values and adding lots of slapstick moments. It lacks the choreography, intensity and seriousness that gave the previous entries their very own identity.

In the end, this film is a quite unusual one. Those who are expecting vivid sword fights, a tense plot and an intriguing antagonist will end up being disappointed. If you like a more cute, emotional and humorous touch to martial arts films, this film could be among your favorites of the franchise. This is the kind of movie I would show my girlfriend if I had to introduce her to the Zatoichi franchise. The movie recalls the Lone Wolf and Cup franchise or martial arts classics like The Master and the Kid with the difference that this visionary movie was released about a decade before those movies. Even though Fight, Zatoichi, Fight isn't exactly my cup of tea and among the weaker films in the franchise in my book, one can't deny that it has quite a few creative ideas and its very own original style.