Shin Zatôichi monogatari: Oreta tsue / Zatoichi in Desperation (1972) - Boredom by the sea - 6/10 (25/03/18)

Zatoichi in Desperation is the twenty-fourth entry in the Japanese franchise about the blind masseur, skilled swordsman and lowly yakuza with the strong moral compass. The film is the first to be directed by leading actor Shintaro Katsu. This movie starts in an unusual way as Zatoichi comes across an old woman who plays the shamisen. They cross a dilapidated bridge and have a short conversation. Zatoichi wants to give the old woman some money but she slips and falls to her death. Zatoichi feels responsible for the terrible accident and decides to visit the old woman's daughter who turns out to be a manipulative prostitute. The blind yakuza still wants to help and buy her freedom. In order to get the fifty ryo to buy her freedom, he goes to a gambling house where he gets in conflict with the local boss and his mob. The criminals are aware of Zatoichi's identity which is also the case for a wandering swordsman and a group of thugs who all want to earn the bounty on his head. In his search for forgiveness, the blind masseur soon has to fight off yakuza, swordsmen and criminals and has to deal with a prostitute whom he cannot trust.

There are a few interesting elements about this movie. First of all, the movie features some psychedelic flashbacks, supported with funky music that make the influence of the seventies' cultural trends quite obvious. Secondly, the locations are quite intriguing as the story takes place in a small town by the sea and shows the rough everyday life of exploited fishermen. Thirdly, Zatoichi gets severely injured in this movie and has to use a new technique to fight off his numerous enemies in a stunning fight sequence in the sandy town.

Despite these fresh elements, the film also has considerable downsides. The characters are neither fleshed out nor sympathetic which leads to the problem that one only cares about Zatoichi's fate. The plot starts interestingly but slows down and wastes a lot of time through a tedious middle section. The final duel between Zatoichi and a swordsman lasts for about ten seconds and looks ridiculous. Several parts of the movie feel rushed and the unusual shaky camera work makes it look like a low quality entry in the franchise.

Overall, Zatoichi in Desperation is among the weaker entries in the franchise. It has a few fresh ideas concerning camera work, score and special effects but the story and characters are too uninteresting to be memorable. I would only recommend this film to fans of old date. Those who aren't familiar with the blind swordsman yet should either start discovering the movies in chronological order or give Takeshi Kitano's version a chance.