Smooth diversity from an amorphous band - A review of Tiamat's ''The Scarred People''

Tiamat is quite amorphous, experimental and open-minded band that has shifted from death metal towards gothic rock over the years, trying to integrate seemingly contradictory elements such as new wave electronica and psychedelic rock onto its albums in a surprisingly fluid and harmonious manner. The Scarred People can almost be seen as a summary of the band's more contemporary gothic rock records as it goes back to several albums of yore while still pushing things further. The smooth production, elegiac tone and baritone vocals keep the record together and make for an enjoyable listening experience.

The best tracks can be found right at the beginning of the album. One has to point out the cinematic title track ''The Scarred People'' which oozes with thick layers of atmosphere supported by a dominant use of synths. After this epic overture, the band offers this record's catchiest song in form of the coherent and consistent ''Winter Dawn'', a track to dream yourself far away. Had this track been released as single, it could have become the new hymn for the entire gothic scene.

After a poignant start, The Scarred People successfully explores Tiamat's calmer side without managing to keep the incredible high level of its opening third. ''Messinian Letter'' is a soft melodic rock song with an uplifting atmosphere and engaging chorus, showing that gothic music can indeed be profoundly life-affirming. The appeasing acoustic interlude with sounds of nature ''Tiznit'' even explores folk territory and embraces the wonders of our planet musically.

To underline the band's multiple influences and mellow soundscapes, the limited edition of the album includes an appeasing yet colourful Lana Del Rey cover as well as a dreamy homage to Bruce Springsteen. Most rock or metal bands wouldn't accomplish to cover such artists credibly while still staying faithful to their own sound but Tiamat succeed convincingly. The two cover songs are perfectly integrated into the rest of the album.

In the end, open-minded gothic rock fans can't get around this atmospheric, inspired and mellow record. While the record's first third is very efficient and poignant, the two final thirds get constantly smoother and have a few minor lengths which keep this album from being more than just a very good genre release. Those who are looking for gloomier and heavier sounds might end up being disappointed though. This record rather recalls the calmer phases of Laibach, Moonspell and Paradise Lost in the late nineties and early years of the new millennium. I enjoy The Scarred People very much but I could see why some people might find it too soft. If my review has intrigued you, don't be shy and give this release a few spins in a calm environment where it can fully unfold.

Final rating: 80%