• Live at Centre Bell in Montreal, Quebec on March 21st, 2014.

    Dream Theater album covers

    Dream Theater is a band that almost completely changes its set list for every new tour. In addition to this fan-friendly attitude, the band chose to go for another “An Evening with Dream Theater” approach on their current tour which means that there is no opening act but three hours of majestic progressive metal music including a short pause of fifteen minutes. The first time I saw the band in Montreal back in 2010, they only played six more metal orientated tracks as opening act for Iron Maiden. When I saw them for a second time in Quebec City in autumn 2011, they had brought Trivium as an opening act and played for around two hours featuring fifteen tracks. Now, I was excited to see a first full length show in Montreal’s famous Bell Centre.

    Dream Theater band photo

    A little issue with this approach is that the show starts very early. I was quite under pressure to get a taxi from my job in the afternoon in Gatineau to Ottawa, take the bus from Ottawa to Montreal, meet my friend, get to the next metro station and make it to the Bell Centre but we managed to be there somewhere between twenty and thirty minutes before the show started. This was obviously not the case for everybody. When the shows started, something like forty percent of the seats were still empty and many fans only arrived two or three songs into the set. Even after this, around twenty-five percent of the seats were still empty and the atmosphere was surprisingly shy. The fans had been much more outgoing two and a half years earlier in Quebec City.

    Visually, this show was by far the best I have seen from the band. There was an entertaining animation video that connected the different cover artworks of the band in a creative way while “False Awakening Suite” was being played in the background. A big curtain that covered the stage fell when the band hit the stage. The stage itself looked very creative as if the band was playing in a suburb of a big city. One could see walls with different graffiti including the name of the band written in German, closed garage doors or broken windows for example. This was very nice to watch and impressed me much more than the decorations of the other two concerts I had seen.

    The band kicked off its show for real with a big bang and a dynamical rendition of their last record’s first single “The Enemy Inside”. The track was accompanied by the intriguing official video clip of a war veteran who can’t fight his inner demons. Even though the vocals had to deal with some sound issues in the beginning, the song itself was performed with much more emotion and energy than on the last album. This would also be the case for all other songs of this record. Maybe I need to re-evaluate my opinion on the last self-titled album that wasn’t exactly my favourite from them.

    The Enemy Inside single artwork

    Dream Theater continued its first part of the set with “A Shattered Fortress”. In my opinion, this complex song was a little bit misplaced so early in the set and is also one of the weaker tracks of the amazing Black Clouds & Silver Linings. The band couldn’t quite keep the energy of the opener in my opinion.

    The progressive metal veterans then went in a smoother direction with the enchanting “On the Back of Angels” and the amazing progressive rock track “The Looking Glass” from their new record. Especially the latter track worked very well on stage with James LaBrie’s soaring vocals and the melodic and Rush inspired guitar riffs by John Petrucci. At this point, I was entirely enjoying this show.

    The different songs were sometimes connected by short animated video sequences where an old yellow car would drive around in a city, on the countryside or on the beach to get to different places where Dream Theater’s music would be played. These animation sequences were effective, harmonious and short enough.

    Dream Theater finished the first of three parts of the set with the epic and rarely played “Trial Of Tears”, the amazing new instrumental track “Enigma Machine” featuring a short but not too impressive drum solo by Mike Mangini and a much more addicting clip featuring all current band members as comic heroes on their quest to find a treasure in a dark dungeon, the beautiful and light-hearted “Along for the Ride” and finally the epic “Breaking All Illusions”. At some point, Jordan Rudess’ keyboard disconnected during a longer instrumental part but his colleagues saved the track very professionally and a few minutes later, the keyboard sound was back again thanks to the help of somebody in the sound department and Jordan Rudess played as if nothing ever happened.

    The band then took a break of fifteen minutes and presented a video to the crowd where people from all around would play impressive cover versions of different Dream Theater songs or just have fun by parodying the band’s procedures to pick a new drummer for example. This collection of clips was entertaining to watch and the break passed very quickly.

    For the second part of their set, Dream Theater would go on to play the last five tracks from Awake to celebrate its twentieth birthday. Along with “The Mirror”, “Lie”, “Lifting Shadows Off My Dream” and “Scarred”, this also meant that the band played the atmospheric closer “Space-Dye Vest” written by Kevin Moore. The band changed the original arrangements a little bit but this didn’t steal anything of the original’s magic. From the Awake set, this song was by far the most surprising and touching one. I hope that the band continues to play this track here and there in the future after so many years of ignorance. The band ended its second part of the set with the epic “Illumination Theory” from the last album which was animated by a colourful clip and a great light show. The song had its lengths on the album but worked pretty well next to the Awake songs on stage. This was another very positive surprise.

    The band just took a very short break of maybe two minutes before they came back for the encores and the third and last part of their set, dedicated to Metropolis Part Two: Scenes from a Memory. The band underlined the fifteenth anniversary of its famous conceptual record. The band started with the diversified double pack “Overture 1928” and “Strange Deja Vu”. Then they played the completely insane instrumental track “The Dance of Eternity” which is and probably will always be the band’s greatest instrumental song. The entire band minus James LaBrie showed off its incredible skills in this track. James LaBrie then gave a comeback to give his best performance of the night in the closing “Finally Free”. It was incredible to see that he was able to pull off such a performance after almost three hours of work. He just seems to be like good wine: he gets better as he gets older. The entire band deserved minute-long standing ovations after this last highlight.

    After 165 minutes of playing time and a total length of around 180 minutes, my friend and I quit the Bell Centre with great feelings. I was finally able to get a good supper around 11 p.m. just next to the Bell Centre. We discussed about the great concert we had just watched. If Dream Theater comes back anytime soon to Montreal, I guess both of us will once again be “along for a ride”. If you can still get tickets and catch the band up on their current tour, just go because it’s worth your money and time.

    Set list:

    Along for the Ride Tour, North American leg

    Act I

    False Awakening Suite 

    (Intro)

    1. The Enemy Inside 
    2. The Shattered Fortress 
    3. On the Backs of Angels 
    4. The Looking Glass 
    5. Trial of Tears 
    6. Enigma Machine 

    (with drum solo by Mike Mangini)

            7. Along for the Ride 

            8Breaking All Illusions 

    Act II

            9. The Mirror

           10. Lie 

           11. Lifting Shadows Off a Dream 

           12. Scarred 

           13. Space-Dye Vest 

           14. Illumination Theory 

    Encore:

          15. Overture 1928 

          16. Strange Déjà Vu 

          17. The Dance of Eternity 

          18. Finally Free 

          19. Illumination Theory 

    (outro)

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  • Dear readers of my blog,

    I just wanted to share a quite interesting high school project with you. This one is about a dystopian short story in form of short diary entries. In the future, I will update more interesting school projects I had been working on since August 2013. I hope you enjoy this one and can take some inspiration from it.

    Sincerely yours,

    Sebastian Kluth

     

    “The most important year of my life” – A science-fiction short story

    Group:______________________Date:_____________________

    Team member 1: _______________________________________

    Team member 2: _______________________________________

    Team member 3: _______________________________________

    Your name: ___________________________________________

    Task: Get together in teams of four. Every student has to read a different part of this short story. Underline the words you don’t understand. Use a dictionary and write the translations next to the text. Answer the questions of your part only. Everybody has to explain her or his part to the three other group members. You all have to write down the answers of the other team members on your document. In the end, answer the questions below the text together.

    Part one:

    August 23, 2077: I’m glad to go to high school in my new city. Everything is so big, impressive and organized here. I already met a few new friends like the two funny boys next door, a smart guy called Jason and the charming Xia.

    October 16, 2077: Today, they celebrated the tenth anniversary of the armistice and the seventh anniversary of the World Council. There were big military parades in the megalopolis of Boston-Washington. The teachers told us that we had to cheer as loud as we could. Towards the end of the parade, our legendary President Sir Wilfred Kingston appeared on the balcony of the Parliament. He looked a lot smaller than I would have thought. His voice was annoying. The look of his cold blue eyes frightened me when he proclaimed “assimilation, obedience and unity” to the people. I saw a few men demonstrating against the President. They got knocked down by the police and abducted in a big black van. They would pass the rest of their lives in Dissident Prison on Cuba.

    Question 1: Where does the storyteller live?

    __________________________________________________________________________________________________________

    Question 2: Why is the storyteller afraid of the President?

    __________________________________________________________________________________________________________

    Question 3: What happened to the demonstrating men?

    __________________________________________________________________________________________________________

    Part two: 

    November 22, 2077: In the media, our legendary President Sir Wilfred Kingston declared a total war against the Eastern Empire. Old and young men of my neighbourhood celebrated with their families before they joined the training camps to get ready for the battles. I saw the police taking our neighbour out of his home by force. His pregnant wife and two boys were crying. He didn’t want to join the armed forces but he didn’t have any choice.

    December 7, 2077: I had always had a crush on Xia, the Chinese girl in my English class. Today, she wasn’t there anymore. The big bully Tommy told me that she couldn’t stay at our school because of her ancestor’s origins. She had to go to a special school for re-educational measures somewhere in Alaska.

    December 16, 2077: Three days before his eighteenth birthday, my older brother Dave disappeared. He only left a letter telling my mother and me that he would try to make his way down to Colombia to join the Resistance. He didn’t want to go to war and die in a foreign land like our father did when he fell somewhere in Russia in the year 2067.

    December 20, 2077: Today, my handicapped friend Jason wasn’t at school. The principal told us that all handicapped students would now go to a special school for disabled second class students somewhere in Saskatchewan. Our principal was proud to call our school a first class elite school.

    Question 4: Why were the neighbour’s wife and two sons crying?

    __________________________________________________________________________________________________________

    Question 5: Why did Xia have to leave the school?

    __________________________________________________________________________________________________________

    Question 6: What happened to the storyteller’s father?

    __________________________________________________________________________________________________________ 

    Part three: 

    January 11, 2078: My mother and I took my grandmother to the Council Hospital because of her pneumonia. The doctors told us that they couldn’t do anything for her because she was only a second class elder. We brought her to an independent clinic. They told us that the treatment would cost 150,000 Mundi*.

    *”Mundi” is a currency that replaced the dollar and the Euro in 2072. 

    January 29, 2078: My mother had sold our house to a pharmaceutical company and our belongings to the World Council Bank to pay for my grandmother’s treatments. My mother and I went to live in a shelter in the suburbs of Philadelphia. Therefore, I had to quit my school because I wasn’t considered as first class elite member anymore.

    February 11, 2078: My grandmother died today. The treatments didn’t work out. There was no way to get our money back.

    February 19, 2078: Today, we received a letter from the World Council Ministry of Foreign Affairs. My brother got caught while trying to attack and take over a cruise ship for millionaires at Panama Canal. My mother was blamed for the incident because she hadn’t taught her son the values of the World Council. She had to go to a labor camp in Southern Mexico for eighteen months. The same day I was taken to an orphanage.

    Question 7: Why did the storyteller have to leave his school?

    __________________________________________________________________________________________________________

    Question 8: Why did the storyteller’s grandmother die?

    __________________________________________________________________________________________________________

    Question 9: Why was the storyteller taken to an orphanage?

    __________________________________________________________________________________________________________

    Part four: 

    March 29, 2078: The work on the fields and in the mines was very hard but the educators of the orphanage had no pity. Today, they almost beat a young boy to death because he had stolen some raspberries that were supposed to be picked up for a supermarket in the wealthy city of Los Angeles.

    May 4, 2078: Today, the enemies bombed our West Coast for the first time. The World Council decided that all children above the age of fourteen had to go and defend our country. I felt so lucky that I was only thirteen years old but I knew that my birthday was only a few months ahead.

    July 23, 2078: Today was my birthday. The next day, I had to go down to the south. The enemies had already invaded South America and parts of Central America up to Guatemala.

    August 19, 2078: Tomorrow would be my first day on the battlefield. The enemy lines are only a few miles away in Central Mexico. The training camp had been short and intense. I feel so tired. I’m afraid to die. My brothers in arms feel the same. What can we do?  

    Question 10: Why did the educators beat a young boy?

    __________________________________________________________________________________________________________

    Question 11: Where did the enemies first attack the World Council?

    __________________________________________________________________________________________________________

    Question 12: Why did the storyteller have to go to war?

    __________________________________________________________________________________________________________

    Discuss and answer these questions in your group:

    Question 13: Do you think that this kind of story could be realistic for the future? Give three reasons to justify your choice.

    ___________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

    Question 14: Create a list of keywords of all negative and positive aspects in this future world:

    Negative elements:                          Positive elements:

    ________________________           ________________________

    ________________________           ________________________

    ________________________           ________________________

    ________________________          ________________________ 

    ________________________          ________________________ 

    ________________________          ________________________ 

    ________________________          ________________________ 

     

    Question 15: How could the story end? Write a very last diary entry.

     

    August 23, 2078: ______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

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  • Exmortus – Slave To The Sword

    March 13, 2014 in Reviews by Sebastian Kluth

    Exmortus2014Exmortus- Slave To The Sword (2014)

    Reviewed by Sebastian Kluth

    Exmortus is often labelled as a thrash or death metal band, but this description is not quite accurate from my point of view. The exceptional quartet from Whittier, California plays some really solid heavy and power metal with an epic atmosphere, gripping melodic guitar riffs, and extensive neoclassical solos and speedy buildups. Only the harsher vocals and a few crunchy riffs really call to mind thrash or melodic death metal influences. Their technically-appealing style sounds, in fact, like a mixture of Children Of Bodom, King Diamond, Megadeth, Stratovarius, and Testament. All in all, this is very intriguing and unique band in my eyes.

     

    New album Slave To The Sword is the band’s most efficient and melodic release to date, and was already recorded and due to be released in early 2013 but for a chaotic label change that pushed the release back to early 2014. Right now, the band is touring extensively throughout North America to promote its third effort, and the Americans are a truly amazing and energizing live band – in comparison to many bands that kill it on stage but sound rather shallow on their records, or vice versa, Exmortus manages to transporits edgy live energy on this release.

    The strong album kicks off with neoclassical shreds in the fast opener “Rising”. The rapid drumming, the wild bass guitar lines, and the straight guttural vocals add even more frenzy to the track before stunning twin guitar solos kick in for the bridge. I haven’t heard such a pitiless and powerful opener in quite a while. The best thing is that half of the songs on this release cut loose in just such a fashion, and the riffing throughout is absolutely merciless!

    The more groove and thrash metal oriented “Slave To The Sword” shows us the band’s other face, and adds some variety to a potent album. The title song is a little bit darker, slower, and more rhythmic. Fans of bands such as Death Angel should absolutely dig this one, and the melodic side of power and thrash shown off by Exmortus is one of its real strong points. Most of the following tracks offer a balanced mixture between the two approaches in the opening duo. The band shows off its technical abilities as well in the outstanding cover of Ludwig van Beethoven’s “Moonlight Sonata (Act III)”. Even Yngwie Malmsteen and Timo Tolkki would be green with envy if they heard this phenomenal instrumental track.

    In the end, the band delivers us a fast paced, exhilarating ride around fifty minutes in length, with a sweating mixture of power and thrash metal. Exmortus manages to create a balanced mixture of pitiless solos and riffs that fly straight in your face, along with technically appealing structures. With lengths between three and a half and five and a half minutes, the band offers ten strong, compact tracks without any filler material, and delivers one of this year’s early highlights.

    4.0 // 5

     

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  • Omnium Gatherum - The Redshift (Reissue) - (8/10)

    Published on March 13, 2014

    Tracklist:

    1. Nail
    2. A Shadowkey
    3. Chameleon Skin
    4. No Breaking Point
    5. The Return
    6. Shapes On Shades
    7. The Redshifter
    8. Greeneyes
    9. The Second Flame
    10. Song For December
    11. Distant Light Highway
    12. Nail (Live) (Bonus Track)
    13. Chameleon Skin (Demo 2008) (Bonus Track)
    14. A Shadowkey (Demo 2008) (Bonus Track)
    15. Shapes And Shades (Alternate Mix) (Bonus Track)

     

    Genre:

     Melodic Death / Extreme Progressive Metal

     

     

    Label:

     Lifeforce Records

     

     

    Playing Time:

     66:48

     

     

    Country:

     Finland

     

     

    Year:

     2008/2014

     

     

    Website:

     Visit page

     

     

    I was really enthusiastic to cover a record by Omnium Gatherum since I had seen them live earlier this year. The band managed to mix energizing melodic death metal with highly atmospheric, enchanting, and melancholic progressive passages and the longer tracks had especially amazing and profound buildups. I decided to discover more of this band and stumbled over the reissue of its fourth full length release The Redshift that had been released back in 2008. Reissues and especially re-recordings don’t always make sense. This is also the case for this package. The band included the original album on this release plus four bonus tracks. Instead of offering anything really new, the additional material is composed of one live track, two demo versions and an alternative version of some songs taken from this release. If you can still get your hands on the original release, I would simply go for this.

     

    Omnium Gatherum 2014

     

    It took me some time to accept that this record wasn’t what I had initially expected. There are no highly atmospheric, epic and progressive tracks on this release. The longest track is only five minutes and a half long and the album even includes many shorter and faster tracks between two and four minutes. The only faster and more diversified that really impresses me is though the inspired opener “Nail” which is maybe even one of the best tracks on here.

     

    Despite a first disappointment, The Redshift is an album that easily surpasses anything that had recently been released by genre colleagues such as Dark Tranquillity or Soilwork for example. Instead of only adopting the sound of the Gothenburg melodic death metal scene, the sextet added something very Finnish to their sound that I can also find in my favourite metal band Amorphis or in almost any Finnish band I have ever known from Apocalyptica over HIM to Stratovarius. It’s this uniquely sweet melancholic feeling that gives the songs a longing touch. This is this band’s winning element to stand out and it’s mostly transported by floating guitar melodies, a clever use of keyboards and the use of diversified vocals between unchained growls and fragile clean passages to build up a magic atmosphere. Many of the songs are too short and fast to fully develop this element but each time it appears for a while, the band completely grabs my attention.

     

    A good example is the less aggressive and more atmospheric “No Breaking Point”. The slow and menacing but at the same time hopefully longing spirit of “Shapes On Shades” almost reminds me of a harsher Amorphis song and is a definite grower. The melancholic and slow hymn “Greeneyes” that almost starts like a Dream Theater ballad sounds a lot like contemporary Amorphis by using only profound clean vocals. This particular tune manages to touch my mind and my soul. It’s somewhat the hidden gem on this record for me. The floating and progressive instrumental interlude “Song For December” reminds me of the eerie atmosphere of Opeth and it’s a pity that this song is so short. Omnium Gatherum shows us glimpses of its incredible talent in many places but I’m still missing an absolute breakthrough anthem on here.

     

     

    After several spins, these bittersweet and thoughtful passages get omnipresent. They grow on you and make what seemed to be a good average album at first try a pretty amazing record. Omnium Gatherum need to some more time to open up on a studio record than in concert but once the magic unfolds you are absolutely stunned. The patient listeners will get rewarded for sure with this band. From a personal point of view, I’m sure that this is only the starting point of an artistic love story between Omnium Gatherum and me. If you care for atmospheric, emotional and profound metal music in the key of Amorphis, you can’t get around this band anymore. They would really deserve to get some more recognition for their recent works. Go and check them out now.

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  • Ingrimm - Henkt ihn! - (6/10)

    Published on March 8, 2014

    Tracklist:

    1. Hetzer
    2. Carpe diem
    3. Asche auf mein Haupt
    4. Hängt ihn
    5. Eiskalter Wind
    6. Schwarzes Gold
    7. Fühl dich frei
    8. Tritt mich
    9. Sanduhr
    10. Engel

     

    Genre:

     Melodic Folk / Industrial

     

     

    Label:

     Trollzorn Records

     

     

    Playing Time:

     40:15

     

     

    Country:

     Germany

     

     

    Year:

     2014

     

     

    Website:

     Visit page

     

     

    As much as I love the German medieval rock scene, I must admit that no band ever managed to come close to the status of the genre’s first important bands such as Subway To Sally, In Extremo, Schandmaul or Saltatio Mortis. Saltatio Mortis peaked the charts with the enjoyable Das schwarze Einmaleins last summer, In Extremo released a really strong record entitled Kunstraub at the end of last year, Schandmaul came around with the softer folk rock orientated Unendlich earlier this year and Subway To Sally will soon be releasing their conceptual record Mitgiftfeaturing eleven tracks about crimes and murders. Everything has somehow remained the same in this genre over the past ten years. A couple of promising bands such as Cultus Ferox didn’t make their breakthrough, the versatile Schelmish split up and more classical bands like Corvus Corax released a couple of less convincing records. It’s really about time for the genre to come around with a few fresh faces, new noises and thundering tracks.

      

    Ingrimm are a younger band that was founded in 2006 and they already come around with their fourth release Henkt Ihn! this winter. Obviously, I have heard about this band before but I had never checked out an entire record. Their new album has a rather heavy sound somewhere between industrial metal and a few thrash metal parts. This could be an interesting base but the problem is that the musicians are not exceptional and that many songs sound quite alike after a while. As a reference, I would maybe cite Saltatio Mortis’ Des Königs Henker or Subway To Sally’s Engelskrieger which were their heaviest outputs respectively. Ingrimm put more metal but less folk influences in their sound. There are a few bagpipes, hurdy gurdies and violins in the songs but they don’t play anything addicting that gets stuck on your mind most of the time. Sometimes, it rather feels as if the folk instruments were alibis to get the attention of the medieval rock scene for a Neue Deutsche Härte band. Ingrimm somewhat sounds like a mixture of Grantig, Saltatio Mortis and Stahlmann. It’s not really bad but nothing revolutionary either.

     

    Henkt Ihn! still has a couple of energizing and promising moments but you really have to dig their mixture of genres. “Carpe Diem” kicks off like a Neue Deutsche Härte track in the key of Megaherz and gets faster to sound a little bit like Tankard. The vocals are raw and even feature a few exceptional growls. The chorus is though very melancholic and almost slow and features hypnotizing violin and bagpipe sounds. When the chorus is repeated for the last time, blast beats suddenly kick in and end the track with a bang. It’s interesting to fusion these different elements but the mixture doesn’t sound fluid to me. The song has some potential but sounds somewhat odd. If the band worked on its song writing, this mixture could become a winning element in the future. 

     

    Apart of “Carpe Diem”, the mixture of medieval folk passages, Neue Deutsche Härte buildups and thrash metal riffs works best in the catchy potential single “Asche auf mein Haupt” and the dark grower “Schwarzes Gold” in my opinion. On the other side, the record gets somewhat repetitive towards the end despite its short length of only forty minutes. The closing epic “Engel” drags on for far too long for example and sounds rather predictable. The song has a mid tempo pace, features more romantic lyrics and tries to sound different from the rest but it feels too constructed and doesn’t end the record on a high note.

     

     

    In the end, fans of the aforementioned bands and genres can give this band a try. I would maybe purchase this record at a reduced price and put a few good songs on my playlist. Ingrimm might be rather appealing live as well and you should try to catch them up during a festival if you can. On the other side, this record is pretty unspectacular. It’s not bad but it’s not excellent either and that’s maybe the worst thing for an artist if you sound irrelevant and are neither adored nor hated by the masses. After all, if you don’t care or know about the bands mentioned in this article, Ingrimm should rather not be your first choice to get in contact with that particular German sound.

     

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