• Exmortus – Slave To The Sword

    March 13, 2014 in Reviews by Sebastian Kluth

    Exmortus2014Exmortus- Slave To The Sword (2014)

    Reviewed by Sebastian Kluth

    Exmortus is often labelled as a thrash or death metal band, but this description is not quite accurate from my point of view. The exceptional quartet from Whittier, California plays some really solid heavy and power metal with an epic atmosphere, gripping melodic guitar riffs, and extensive neoclassical solos and speedy buildups. Only the harsher vocals and a few crunchy riffs really call to mind thrash or melodic death metal influences. Their technically-appealing style sounds, in fact, like a mixture of Children Of Bodom, King Diamond, Megadeth, Stratovarius, and Testament. All in all, this is very intriguing and unique band in my eyes.

     

    New album Slave To The Sword is the band’s most efficient and melodic release to date, and was already recorded and due to be released in early 2013 but for a chaotic label change that pushed the release back to early 2014. Right now, the band is touring extensively throughout North America to promote its third effort, and the Americans are a truly amazing and energizing live band – in comparison to many bands that kill it on stage but sound rather shallow on their records, or vice versa, Exmortus manages to transporits edgy live energy on this release.

    The strong album kicks off with neoclassical shreds in the fast opener “Rising”. The rapid drumming, the wild bass guitar lines, and the straight guttural vocals add even more frenzy to the track before stunning twin guitar solos kick in for the bridge. I haven’t heard such a pitiless and powerful opener in quite a while. The best thing is that half of the songs on this release cut loose in just such a fashion, and the riffing throughout is absolutely merciless!

    The more groove and thrash metal oriented “Slave To The Sword” shows us the band’s other face, and adds some variety to a potent album. The title song is a little bit darker, slower, and more rhythmic. Fans of bands such as Death Angel should absolutely dig this one, and the melodic side of power and thrash shown off by Exmortus is one of its real strong points. Most of the following tracks offer a balanced mixture between the two approaches in the opening duo. The band shows off its technical abilities as well in the outstanding cover of Ludwig van Beethoven’s “Moonlight Sonata (Act III)”. Even Yngwie Malmsteen and Timo Tolkki would be green with envy if they heard this phenomenal instrumental track.

    In the end, the band delivers us a fast paced, exhilarating ride around fifty minutes in length, with a sweating mixture of power and thrash metal. Exmortus manages to create a balanced mixture of pitiless solos and riffs that fly straight in your face, along with technically appealing structures. With lengths between three and a half and five and a half minutes, the band offers ten strong, compact tracks without any filler material, and delivers one of this year’s early highlights.

    4.0 // 5

     

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  • Omnium Gatherum - The Redshift (Reissue) - (8/10)

    Published on March 13, 2014

    Tracklist:

    1. Nail
    2. A Shadowkey
    3. Chameleon Skin
    4. No Breaking Point
    5. The Return
    6. Shapes On Shades
    7. The Redshifter
    8. Greeneyes
    9. The Second Flame
    10. Song For December
    11. Distant Light Highway
    12. Nail (Live) (Bonus Track)
    13. Chameleon Skin (Demo 2008) (Bonus Track)
    14. A Shadowkey (Demo 2008) (Bonus Track)
    15. Shapes And Shades (Alternate Mix) (Bonus Track)

     

    Genre:

     Melodic Death / Extreme Progressive Metal

     

     

    Label:

     Lifeforce Records

     

     

    Playing Time:

     66:48

     

     

    Country:

     Finland

     

     

    Year:

     2008/2014

     

     

    Website:

     Visit page

     

     

    I was really enthusiastic to cover a record by Omnium Gatherum since I had seen them live earlier this year. The band managed to mix energizing melodic death metal with highly atmospheric, enchanting, and melancholic progressive passages and the longer tracks had especially amazing and profound buildups. I decided to discover more of this band and stumbled over the reissue of its fourth full length release The Redshift that had been released back in 2008. Reissues and especially re-recordings don’t always make sense. This is also the case for this package. The band included the original album on this release plus four bonus tracks. Instead of offering anything really new, the additional material is composed of one live track, two demo versions and an alternative version of some songs taken from this release. If you can still get your hands on the original release, I would simply go for this.

     

    Omnium Gatherum 2014

     

    It took me some time to accept that this record wasn’t what I had initially expected. There are no highly atmospheric, epic and progressive tracks on this release. The longest track is only five minutes and a half long and the album even includes many shorter and faster tracks between two and four minutes. The only faster and more diversified that really impresses me is though the inspired opener “Nail” which is maybe even one of the best tracks on here.

     

    Despite a first disappointment, The Redshift is an album that easily surpasses anything that had recently been released by genre colleagues such as Dark Tranquillity or Soilwork for example. Instead of only adopting the sound of the Gothenburg melodic death metal scene, the sextet added something very Finnish to their sound that I can also find in my favourite metal band Amorphis or in almost any Finnish band I have ever known from Apocalyptica over HIM to Stratovarius. It’s this uniquely sweet melancholic feeling that gives the songs a longing touch. This is this band’s winning element to stand out and it’s mostly transported by floating guitar melodies, a clever use of keyboards and the use of diversified vocals between unchained growls and fragile clean passages to build up a magic atmosphere. Many of the songs are too short and fast to fully develop this element but each time it appears for a while, the band completely grabs my attention.

     

    A good example is the less aggressive and more atmospheric “No Breaking Point”. The slow and menacing but at the same time hopefully longing spirit of “Shapes On Shades” almost reminds me of a harsher Amorphis song and is a definite grower. The melancholic and slow hymn “Greeneyes” that almost starts like a Dream Theater ballad sounds a lot like contemporary Amorphis by using only profound clean vocals. This particular tune manages to touch my mind and my soul. It’s somewhat the hidden gem on this record for me. The floating and progressive instrumental interlude “Song For December” reminds me of the eerie atmosphere of Opeth and it’s a pity that this song is so short. Omnium Gatherum shows us glimpses of its incredible talent in many places but I’m still missing an absolute breakthrough anthem on here.

     

     

    After several spins, these bittersweet and thoughtful passages get omnipresent. They grow on you and make what seemed to be a good average album at first try a pretty amazing record. Omnium Gatherum need to some more time to open up on a studio record than in concert but once the magic unfolds you are absolutely stunned. The patient listeners will get rewarded for sure with this band. From a personal point of view, I’m sure that this is only the starting point of an artistic love story between Omnium Gatherum and me. If you care for atmospheric, emotional and profound metal music in the key of Amorphis, you can’t get around this band anymore. They would really deserve to get some more recognition for their recent works. Go and check them out now.

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  • Ingrimm - Henkt ihn! - (6/10)

    Published on March 8, 2014

    Tracklist:

    1. Hetzer
    2. Carpe diem
    3. Asche auf mein Haupt
    4. Hängt ihn
    5. Eiskalter Wind
    6. Schwarzes Gold
    7. Fühl dich frei
    8. Tritt mich
    9. Sanduhr
    10. Engel

     

    Genre:

     Melodic Folk / Industrial

     

     

    Label:

     Trollzorn Records

     

     

    Playing Time:

     40:15

     

     

    Country:

     Germany

     

     

    Year:

     2014

     

     

    Website:

     Visit page

     

     

    As much as I love the German medieval rock scene, I must admit that no band ever managed to come close to the status of the genre’s first important bands such as Subway To Sally, In Extremo, Schandmaul or Saltatio Mortis. Saltatio Mortis peaked the charts with the enjoyable Das schwarze Einmaleins last summer, In Extremo released a really strong record entitled Kunstraub at the end of last year, Schandmaul came around with the softer folk rock orientated Unendlich earlier this year and Subway To Sally will soon be releasing their conceptual record Mitgiftfeaturing eleven tracks about crimes and murders. Everything has somehow remained the same in this genre over the past ten years. A couple of promising bands such as Cultus Ferox didn’t make their breakthrough, the versatile Schelmish split up and more classical bands like Corvus Corax released a couple of less convincing records. It’s really about time for the genre to come around with a few fresh faces, new noises and thundering tracks.

      

    Ingrimm are a younger band that was founded in 2006 and they already come around with their fourth release Henkt Ihn! this winter. Obviously, I have heard about this band before but I had never checked out an entire record. Their new album has a rather heavy sound somewhere between industrial metal and a few thrash metal parts. This could be an interesting base but the problem is that the musicians are not exceptional and that many songs sound quite alike after a while. As a reference, I would maybe cite Saltatio Mortis’ Des Königs Henker or Subway To Sally’s Engelskrieger which were their heaviest outputs respectively. Ingrimm put more metal but less folk influences in their sound. There are a few bagpipes, hurdy gurdies and violins in the songs but they don’t play anything addicting that gets stuck on your mind most of the time. Sometimes, it rather feels as if the folk instruments were alibis to get the attention of the medieval rock scene for a Neue Deutsche Härte band. Ingrimm somewhat sounds like a mixture of Grantig, Saltatio Mortis and Stahlmann. It’s not really bad but nothing revolutionary either.

     

    Henkt Ihn! still has a couple of energizing and promising moments but you really have to dig their mixture of genres. “Carpe Diem” kicks off like a Neue Deutsche Härte track in the key of Megaherz and gets faster to sound a little bit like Tankard. The vocals are raw and even feature a few exceptional growls. The chorus is though very melancholic and almost slow and features hypnotizing violin and bagpipe sounds. When the chorus is repeated for the last time, blast beats suddenly kick in and end the track with a bang. It’s interesting to fusion these different elements but the mixture doesn’t sound fluid to me. The song has some potential but sounds somewhat odd. If the band worked on its song writing, this mixture could become a winning element in the future. 

     

    Apart of “Carpe Diem”, the mixture of medieval folk passages, Neue Deutsche Härte buildups and thrash metal riffs works best in the catchy potential single “Asche auf mein Haupt” and the dark grower “Schwarzes Gold” in my opinion. On the other side, the record gets somewhat repetitive towards the end despite its short length of only forty minutes. The closing epic “Engel” drags on for far too long for example and sounds rather predictable. The song has a mid tempo pace, features more romantic lyrics and tries to sound different from the rest but it feels too constructed and doesn’t end the record on a high note.

     

     

    In the end, fans of the aforementioned bands and genres can give this band a try. I would maybe purchase this record at a reduced price and put a few good songs on my playlist. Ingrimm might be rather appealing live as well and you should try to catch them up during a festival if you can. On the other side, this record is pretty unspectacular. It’s not bad but it’s not excellent either and that’s maybe the worst thing for an artist if you sound irrelevant and are neither adored nor hated by the masses. After all, if you don’t care or know about the bands mentioned in this article, Ingrimm should rather not be your first choice to get in contact with that particular German sound.

     

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  • Lord Symphony is an ambitious metal band from Solo, Central Java in Indonesia that mixes epic European power metal with traditional Gamelan music. The band exposes us to epic stories of their home country but also spreads a message of hope in the name of the Lord. The sextet just released its second full length conceptual record The Lord’s Wisdom but they don’t want to stop there. The band is already planning an ambitious rock opera, the re-recording of their first output with their new singer and a follow-up to their first album. I decided to contact the band and they exposed me to the concept behind their music, the surprisingly rich Javanese metal scene and a fascinating lesson in arts and history. I’m still impressed and want to share the interview with metal fans from all around the world that are looking for new and thrilling power metal bands.

    Lord Symphony 3

    TMO: “Hello Lord Symphony and thank you very much for taking your time for this interview with me. First of all, could you please introduce yourselves to our readers?”

    LS: “Hello, we are Lord Symphony, epic power metal band from Solo, Central Java, Indonesia. If you’re fans of power metal bands like Helloween, Rhapsody of Fire, Gamma Ray, Blind Guardian, etc, then “try” us.”
     

    TMO: “Apart of being musicians, what do you do in your everyday lives?”

    LS: “Most of the band members work as self-employed, our guitarists Fuad & Fa’i who are brothers own a small guitar factory. Bassist Ichsan Anggoro works in a printing company, Arif aka Monk Bhodi (vocalist) and Dani (keyboards) have their own businesses while the youngest member Uji (drums) is still at the college.”

    TMO: “You have all been involved or are still involved in other band projects. Could you tell us more about these involvements? How far did they influence your work in Lord Symphony?”

    LS: “Only some of us are still involved in other bands. Arif/Monk Bhodi still sings for his previous band Powerbeat who plays covers of well-known classic rock tracks. Uji also plays with Liberty, a power metal band from Solo who plays cover tracks of well-known power metal bands, and his college band.”

    TMO: “Recently, your previous singer Tobias Derisian left after almost seven years in your band and Arif Hartoyo joined as new lead vocalist. How did it come to this line-up change and what are the main differences between both vocalists?”

    LS: “Tobias Derisian had to leave the band due to his different vision from other band members. He has an important role in the band’s history. After Tobias left the band, we were urgently searching for a replacement. We did two auditions and we finally chose Monk Bhodi. Monk Bhodi has never sung for a power metal band before but we really liked his vocal character which is a heavy high pitched voice. The difference between Monk and Tobias is that Monk has a more “epic” character with a “heavier” harsh voice, while Tobias has a clean voice like Michael Kiske (ex-Helloween). Some critics told us in the past that Tobias’ voice did not fit with our epic power metal style.”

    TMO: “You are six band members and I imagine that you all have different personalities. How do you manage to do compromises and work together as a team? How does your song writing approach work for example? Are their different roles and tasks for each member or do you do everything together at the same time?”

    LS: “We “work” as a family here. All of our songs were composed by Fuad. The lyrics were written by our vocalists. Our manager Hendro also helped us out to write lyrics for some songs. Then we worked together on the arrangements in the studio. We are open for any “input” from all members. Sometimes we also listened to non power metal tracks to find any inspiration for arrangements, including inspiration from our Javanese traditional Gamelan music which gives us a different style from any well-known power metal band. You can hear the Gamelan music in our “Black Dawn” single and in two songs called “Down To Holyland” and “Devil’s Emotion” from our new album The Lord’s Wisdom.”

    Lord Symphony 2014

    TMO: “What is the concept behind your band name Lord Symphony?”

    LS: “Symphony for God or God’s symphony. Basically, because we believe in God.”
     

    TMO: “Indonesia is very well known for its big death metal and grindcore scene but power metal bands are rather rare. What inspires you to go a different way and what do you do to stand out and get some attention with your music in your home country?”

    LS: “We do agree with you on this. The death metal and grindcore scenes are bigger here, but actually power metal bands aren’t that really rare here. In some cities like Surabaya, the birthplace of the legendary Indonesian band Powermetal, there are lots of bands who play power metal, and there are many gigs there from small shows in cafes to big open air shows. But most of the time, power metal bands rarely get the chance to play at a big metal festival here. Maybe they think that power metal bands draw less audience than death metal bands, but in fact, power metal fans are huge here. Helloween’s first concert in Indonesia was attended by around 25.000 fans in Surabaya and their last show here in Tenggarong was attended by more than 30.000 people.

    We play power metal, because we like the POWER, melodies, harmonies, and most power metal bands have positive lyrics. We want to show that metal bands aren’t always related to brutalism, Satanism, dirty lyrics or other negative thoughts to people who hate or don’t understand metal.”

    TMO: “Could you name us other interesting bands from your country? What are Indonesia’s biggest metal acts, records and venues? What about promising newcomer bands?”

    LS: “From the power metal scene we recommend Powermetal, Umbra Mortis from Jakarta, Valerian from Surabaya, Devarock from Sidoarjo. Concerning other metal genres, we recommend Burgerkill, Deadsquad and Jasad. The biggest metal band? It’s probably Burgerkill. They won last year’s Golden Gods award in the “Metal As Fuck” category. The biggest records? We don’t have any metal labels that really big here, most metal bands produce their albums independently here. Biggest venues? Hammersonic in Jakarta, Kukar Rockin’ Fest in Tenggarong, Bandung Berisik & Hellprint in Bandung and Rock In Solo in Solo.”

    TMO: “What are your different musical inspirations?”

    LS: “Our traditional Javanese Gamelan music, a music style you won’t find in any of the world’s well-known power metal bands.”

    TMO: “Your first album Bharatayudha is about an important battle in Javanese history. Could you tell us a little bit more about this concept and important elements of Javanese history in general?”

    LS: “It’s not about an actual battle event but inspired by a “book” written by ancient writers around 1500 AD. Bharatayudha is the final part of the Mahabharata Epic Story written by Empu Sedah & Empu Panuluh. We were inspired by Rhapsody (Of Fire) or Blind Guardian who made albums inspired by the epic battle and war stories by Tolkien’s. So we thought: Why don’t we adapt our own country’s epic stories to our albums?”

    TMO: “This album is subtitled as Part I. Are you working on a follow-up or did you decide to abandon the concept and try out something different?”

    LS: “Actually, we already have some tracks for part II, but when Tobias left the band, we thought that we won’t do the second part with a different vocalist. Then we decided to postpone Part II. We are planning to re-record part I with our new vocalist Monk Bhodi along with Part II someday in the future and release the BHARATAYUDHA as a double album.

    Before starting the double BHARATAYUDHA album we may manage to release one more album after The Lord’s Wisdom. We are dreaming to have a metal opera album like Avantasia or Avalon.”

    TMO: “In early 2013, you already announced your second record and released its cover artwork and track list. A few things have changed since then. The song order is different, some names have changed and other tracks don’t seem to be included on the final version. What did you change between your first announcement and the actual release?”

    LS: “We had a lot of material from our previous The Lord’s Wisdom demo and we announced these songs first. Later, we have changed some things after discussions among band members and finally we chose to put eleven tracks on the actual release with some new tracks (Prelude & Interlude). The Interlude part was composed by Annisa Wulandari, who mixed our album. The Helloween cover track “Kings Will Be Kings” was actually recorded during the “Black Dawn” single recording session, but then we decided to put it as bonus track on the digital version of The Lord’s Wisdom album.”

    TMO: “You have right now released The Lord’s Wisdom. What is the concept behind this album?”

    LS: “The Lord’s Wisdom is a conceptual album with religious contents. The album has eleven tracks with one bonus track, a Helloween cover on the digital version. The whole album story is about a man and his way to the “Gate Of Lord”. It’s a warrior who feels as a sinful human after a war, after having killed his enemies with “Devil’s Emotion”. He looks in the “Mirror”, questioning “who am I really, am I evil?” “Earth Beneath The Sky” has some sort of a double sense. On one side, the song tells about a war representing the warrior’s war but lyrically this song is also about our recent war against pollution, a war for a green earth. It’s the “Magic Knight’s Destiny” to save the Earth, to “Save The Universe”. “Moment of Silence” represents the moment when the warrior is doing his prayer to God and then he finally finds his way “Down To Holyland” where he finds the “Eleven Keys” as the “Key To Heaven”, to the “Gate Of Lord”! The cover artwork of The Lord’s Wisdom album was designed by Mayte CG from Spain who also designed cover art for Turkish power metal band Pinnacle Of Heaven and Gillian Glover’s album. Gillian is the daughter of Deep Purple’s Roger Glover. Our artwork also represents the story of the album. You can see the Magic Knight standing between two towers of a Prambanan temple, while heavenly bright light from above, from the Gate of Lord, shines in front of him. Mayte has perfectly implemented the concept prepared by our manager Hendro, into an epic digital matte-painting masterpiece.”

    front cover

     

    TMO: “I have read about your album on many different international websites. What did you do to increase the promotion for your new record and to spread your band’s name?”

    LS: “We do promotion via social networks like Facebook, Myspace, ReverbNation, etc and we are also promoting our album via some radio stations, online and printed magazines and newspapers. And for our The Lord’s Wisdom, we got a full support from our label Semax Records from Germany.”

    TMO: “What have been your most valuable concert experiences to date? Did you play with any famous bands? Did you play in foreign countries? Did you participate at any festivals?”

    LS: “The most important concert was when we played as semi-finalist at Gudang Garam Rock Competition (GGRC) in Bandung 2005. We had a chance to perform on the same stage as the legendary Powermetal and headliners Jamrud. Then we were selected as one of the opening band for Helloween during their Hellish Rock Tour in Jakarta in the year 2008.

    We never played in foreign countries. We were invited to play in Australia’s Stormrider Festival this April with Black Majesty and Silent Knight as headliners, but since we are not a rich band, we can’t afford to buy tickets to fly there. 

    We also participated in many festivals like Surakarta Hitam, Wonogiri Supersonic Fest, etc.

    Once, we also had an opportunity to perform with a real “Gamelan” orchestra when we headlined a full day art and culture event at Sangiran Pre-historic Museum in Sragen, Central Java.”

    Lord Symphony live at Loud of Rock 2012

    TMO: “What are your plans for the rest of the year 2014?”

    LS: “We have some show scheduled in our hometown Solo and some other cities. Then, we are going to prepare the release of another album for next year before we work on the double BHARATAYUDHA album.”

    TMO: “Thank you again for this great interview. I hope I can help you to spread the name about your amazing music. Do you have a final message to our readers from all around the world?”

    LS: “Support us! We hope you guys like our music.” 

    Please visit Lord Symphony’s Facebook page: http://www.facebook.com/lordsymphony

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  • Lord Symphony is an ambitious metal band from Solo, Central Java in Indonesia that mixes epic European power metal with traditional Gamelan music. The band exposes us to epic stories of their home country but also spreads a message of hope in the name of the Lord. The sextet just released its second full length conceptual record The Lord’s Wisdom but they don’t want to stop there. The band is already planning an ambitious rock opera, the re-recording of their first output with their new singer and a follow-up to their first album. I decided to contact the band and they exposed me to the concept behind their music, the surprisingly rich Javanese metal scene and a fascinating lesson in arts and history. I’m still impressed and want to share the interview with metal fans from all around the world that are looking for new and thrilling power metal bands.

    Lord Symphony 3

    TMO: “Hello Lord Symphony and thank you very much for taking your time for this interview with me. First of all, could you please introduce yourselves to our readers?”

    LS: “Hello, we are Lord Symphony, epic power metal band from Solo, Central Java, Indonesia. If you’re fans of power metal bands like Helloween, Rhapsody of Fire, Gamma Ray, Blind Guardian, etc, then “try” us.”
     

    TMO: “Apart of being musicians, what do you do in your everyday lives?”

    LS: “Most of the band members work as self-employed, our guitarists Fuad & Fa’i who are brothers own a small guitar factory. Bassist Ichsan Anggoro works in a printing company, Arif aka Monk Bhodi (vocalist) and Dani (keyboards) have their own businesses while the youngest member Uji (drums) is still at the college.”

    TMO: “You have all been involved or are still involved in other band projects. Could you tell us more about these involvements? How far did they influence your work in Lord Symphony?”

    LS: “Only some of us are still involved in other bands. Arif/Monk Bhodi still sings for his previous band Powerbeat who plays covers of well-known classic rock tracks. Uji also plays with Liberty, a power metal band from Solo who plays cover tracks of well-known power metal bands, and his college band.”

    TMO: “Recently, your previous singer Tobias Derisian left after almost seven years in your band and Arif Hartoyo joined as new lead vocalist. How did it come to this line-up change and what are the main differences between both vocalists?”

    LS: “Tobias Derisian had to leave the band due to his different vision from other band members. He has an important role in the band’s history. After Tobias left the band, we were urgently searching for a replacement. We did two auditions and we finally chose Monk Bhodi. Monk Bhodi has never sung for a power metal band before but we really liked his vocal character which is a heavy high pitched voice. The difference between Monk and Tobias is that Monk has a more “epic” character with a “heavier” harsh voice, while Tobias has a clean voice like Michael Kiske (ex-Helloween). Some critics told us in the past that Tobias’ voice did not fit with our epic power metal style.”

    TMO: “You are six band members and I imagine that you all have different personalities. How do you manage to do compromises and work together as a team? How does your song writing approach work for example? Are their different roles and tasks for each member or do you do everything together at the same time?”

    LS: “We “work” as a family here. All of our songs were composed by Fuad. The lyrics were written by our vocalists. Our manager Hendro also helped us out to write lyrics for some songs. Then we worked together on the arrangements in the studio. We are open for any “input” from all members. Sometimes we also listened to non power metal tracks to find any inspiration for arrangements, including inspiration from our Javanese traditional Gamelan music which gives us a different style from any well-known power metal band. You can hear the Gamelan music in our “Black Dawn” single and in two songs called “Down To Holyland” and “Devil’s Emotion” from our new album The Lord’s Wisdom.”

    Lord Symphony 2014

    TMO: “What is the concept behind your band name Lord Symphony?”

    LS: “Symphony for God or God’s symphony. Basically, because we believe in God.”
     

    TMO: “Indonesia is very well known for its big death metal and grindcore scene but power metal bands are rather rare. What inspires you to go a different way and what do you do to stand out and get some attention with your music in your home country?”

    LS: “We do agree with you on this. The death metal and grindcore scenes are bigger here, but actually power metal bands aren’t that really rare here. In some cities like Surabaya, the birthplace of the legendary Indonesian band Powermetal, there are lots of bands who play power metal, and there are many gigs there from small shows in cafes to big open air shows. But most of the time, power metal bands rarely get the chance to play at a big metal festival here. Maybe they think that power metal bands draw less audience than death metal bands, but in fact, power metal fans are huge here. Helloween’s first concert in Indonesia was attended by around 25.000 fans in Surabaya and their last show here in Tenggarong was attended by more than 30.000 people.

    We play power metal, because we like the POWER, melodies, harmonies, and most power metal bands have positive lyrics. We want to show that metal bands aren’t always related to brutalism, Satanism, dirty lyrics or other negative thoughts to people who hate or don’t understand metal.”

    TMO: “Could you name us other interesting bands from your country? What are Indonesia’s biggest metal acts, records and venues? What about promising newcomer bands?”

    LS: “From the power metal scene we recommend Powermetal, Umbra Mortis from Jakarta, Valerian from Surabaya, Devarock from Sidoarjo. Concerning other metal genres, we recommend Burgerkill, Deadsquad and Jasad. The biggest metal band? It’s probably Burgerkill. They won last year’s Golden Gods award in the “Metal As Fuck” category. The biggest records? We don’t have any metal labels that really big here, most metal bands produce their albums independently here. Biggest venues? Hammersonic in Jakarta, Kukar Rockin’ Fest in Tenggarong, Bandung Berisik & Hellprint in Bandung and Rock In Solo in Solo.”

    TMO: “What are your different musical inspirations?”

    LS: “Our traditional Javanese Gamelan music, a music style you won’t find in any of the world’s well-known power metal bands.”

    TMO: “Your first album Bharatayudha is about an important battle in Javanese history. Could you tell us a little bit more about this concept and important elements of Javanese history in general?”

    LS: “It’s not about an actual battle event but inspired by a “book” written by ancient writers around 1500 AD. Bharatayudha is the final part of the Mahabharata Epic Story written by Empu Sedah & Empu Panuluh. We were inspired by Rhapsody (Of Fire) or Blind Guardian who made albums inspired by the epic battle and war stories by Tolkien’s. So we thought: Why don’t we adapt our own country’s epic stories to our albums?”

    TMO: “This album is subtitled as Part I. Are you working on a follow-up or did you decide to abandon the concept and try out something different?”

    LS: “Actually, we already have some tracks for part II, but when Tobias left the band, we thought that we won’t do the second part with a different vocalist. Then we decided to postpone Part II. We are planning to re-record part I with our new vocalist Monk Bhodi along with Part II someday in the future and release the BHARATAYUDHA as a double album.

    Before starting the double BHARATAYUDHA album we may manage to release one more album after The Lord’s Wisdom. We are dreaming to have a metal opera album like Avantasia or Avalon.”

    TMO: “In early 2013, you already announced your second record and released its cover artwork and track list. A few things have changed since then. The song order is different, some names have changed and other tracks don’t seem to be included on the final version. What did you change between your first announcement and the actual release?”

    LS: “We had a lot of material from our previous The Lord’s Wisdom demo and we announced these songs first. Later, we have changed some things after discussions among band members and finally we chose to put eleven tracks on the actual release with some new tracks (Prelude & Interlude). The Interlude part was composed by Annisa Wulandari, who mixed our album. The Helloween cover track “Kings Will Be Kings” was actually recorded during the “Black Dawn” single recording session, but then we decided to put it as bonus track on the digital version of The Lord’s Wisdom album.”

    TMO: “You have right now released The Lord’s Wisdom. What is the concept behind this album?”

    LS: “The Lord’s Wisdom is a conceptual album with religious contents. The album has eleven tracks with one bonus track, a Helloween cover on the digital version. The whole album story is about a man and his way to the “Gate Of Lord”. It’s a warrior who feels as a sinful human after a war, after having killed his enemies with “Devil’s Emotion”. He looks in the “Mirror”, questioning “who am I really, am I evil?” “Earth Beneath The Sky” has some sort of a double sense. On one side, the song tells about a war representing the warrior’s war but lyrically this song is also about our recent war against pollution, a war for a green earth. It’s the “Magic Knight’s Destiny” to save the Earth, to “Save The Universe”. “Moment of Silence” represents the moment when the warrior is doing his prayer to God and then he finally finds his way “Down To Holyland” where he finds the “Eleven Keys” as the “Key To Heaven”, to the “Gate Of Lord”! The cover artwork of The Lord’s Wisdom album was designed by Mayte CG from Spain who also designed cover art for Turkish power metal band Pinnacle Of Heaven and Gillian Glover’s album. Gillian is the daughter of Deep Purple’s Roger Glover. Our artwork also represents the story of the album. You can see the Magic Knight standing between two towers of a Prambanan temple, while heavenly bright light from above, from the Gate of Lord, shines in front of him. Mayte has perfectly implemented the concept prepared by our manager Hendro, into an epic digital matte-painting masterpiece.”

    front cover

     

    TMO: “I have read about your album on many different international websites. What did you do to increase the promotion for your new record and to spread your band’s name?”

    LS: “We do promotion via social networks like Facebook, Myspace, ReverbNation, etc and we are also promoting our album via some radio stations, online and printed magazines and newspapers. And for our The Lord’s Wisdom, we got a full support from our label Semax Records from Germany.”

    TMO: “What have been your most valuable concert experiences to date? Did you play with any famous bands? Did you play in foreign countries? Did you participate at any festivals?”

    LS: “The most important concert was when we played as semi-finalist at Gudang Garam Rock Competition (GGRC) in Bandung 2005. We had a chance to perform on the same stage as the legendary Powermetal and headliners Jamrud. Then we were selected as one of the opening band for Helloween during their Hellish Rock Tour in Jakarta in the year 2008.

    We never played in foreign countries. We were invited to play in Australia’s Stormrider Festival this April with Black Majesty and Silent Knight as headliners, but since we are not a rich band, we can’t afford to buy tickets to fly there. 

    We also participated in many festivals like Surakarta Hitam, Wonogiri Supersonic Fest, etc.

    Once, we also had an opportunity to perform with a real “Gamelan” orchestra when we headlined a full day art and culture event at Sangiran Pre-historic Museum in Sragen, Central Java.”

    Lord Symphony live at Loud of Rock 2012

    TMO: “What are your plans for the rest of the year 2014?”

    LS: “We have some show scheduled in our hometown Solo and some other cities. Then, we are going to prepare the release of another album for next year before we work on the double BHARATAYUDHA album.”

    TMO: “Thank you again for this great interview. I hope I can help you to spread the name about your amazing music. Do you have a final message to our readers from all around the world?”

    LS: “Support us! We hope you guys like our music.” 

    Please visit Lord Symphony’s Facebook page: http://www.facebook.com/lordsymphony

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