• Amsterdam (2013)

     

    "Amsterdam" is a quite unusual but promising movie from Quebec. The film starts as a comedy flick. Three quite different childhood friends want to escape from their everyday lives. They tell their wives or girlfriends that they would go on a hunting trip in the forest but in fact, they take the plane to Amsterdam to have some fun together. They are drinking a lot and smoking a lot of weed as well. I'm not sure it's a good idea to show a car driver having a sip of vodka and adults and family fathers boozing around but it tells us a lot of contemporary French Canadian society. 


    The most revealing scene comes when the three actors go to the red light district. One characters passionately sleeps with a prostitute and can't get enough, another one wants to have fun but doesn't manage to because he has to think about his wife and the last one only gives the prostitute some money to make his friends think he is cool enough to go with her but in fact he doesn't even think about betraying his wife. The three friends are spying each other and their final decisions reveal a lot of what will happen next.  

    The only thing I might complain about is the stereotypical image of Amsterdam that gets underlined in this movie. I have been several times to Amsterdam and it's a beautiful and very cultivated city with a lot of great things to visit. The city is though only reduced to a place where people are boozing, taking drugs and sleeping with prostitutes. This view is quite naive and closed-minded; one could even say slightly racist. 

    Anyway, from this moment on, the movie gets an unusual turn. It becomes a suspenseful drama with a quite dark atmosphere. One of the three friends learns that his girlfriend is pregnant but instead of being happy, he gets scared and decides not to come home with his friends. A big argument kicks off but the desperate man doesn't change his mind. He wants to stay in Amsterdam for a few more days and his two friends return to their families. 

    Nobody has the guts to tell the truth. The two remaining friends are afraid they could lose everything they have and realize that they didn't really think of the consequences of their decisions before. They spin a web of lies and tell that their friend went out in the woods after an argument and didn't come back. Soon, the police and their families realize that the two men didn't tell the whole truth but due to a series of coincidences and stupid actions, nobody comes close to reveal the truth. 

    Their friend doesn't come back after few days and even not after a few weeks when the autumn goes by and Christmas arrives. The tragic events have changed the lives of the two remaining friends and everybody in the small village for the worse. It takes quite some time before a certain kind of routine is established again. 

    Then, their friend suddenly comes back home for Christmas. He secretly watches the people in the village and how his disappearance has changed a lot of things. He decides to not reveal that he is back until he decides to meet his girlfriend again. He reveals to her that he doesn't believe that he caused her pregnancy and is the father of her unborn child and both of them get into quite a big argument. 

    The viewers don't get to know what happens next until the two remaining friends get a message from their friend to meet in a cabin in the woods. Soon, all three shout at each other and their friendship is about to break completely apart. I don't want to reveal you the movie's twist but you probably won't see it coming and the film ends on a quite dark and intriguing note that leaves the viewers with a lot of food for thought. 

    The strongest point of the movie is its development from a comedy film over a thriller to an intense drama. Each part convinces due to a solid acting and captivating story line with a few surprises towards the end. This movie is almost to experimental to hit the cinemas but I'm glad it was released in the movie theatres of the province of Quebec. 

    The weaker parts are the stereotypical image of Amsterdam, a few lengths in the middle part of the film and a few little plot holes or unexplained events concerning credit cards, lazy police investigation and the disappearance of another person towards the end. 

     

    The positive aspects outnumber this movie's flaws and if the story is intriguing enough to you, there is no reason for you to not try your best to get your hands on a copy of this unusual and mostly intelligent movie. 

     

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  • Carrie (2013)

     

    "Carrie" is based on a popular Steven King novel and has already been brought to the cinemas of this world in the seventies. This new version is a refreshing revamp and the topic is maybe more actual than ever before.

    Students are more and more living in a world where their parents get divorced and only care about their careers. Young students get in contact with alcohol, drugs and sex at very young age and have nothing left to discover. Hypersexualisation is omnipresent in all medias where artificial American pop stars and models have replaced authentic and honourable idols. Young people struggle to accept authorities at home, at school and even in situations of their everyday lives. It's hard for them to face confusion and frustration and instead of being mature enough to criticize themselves and their families, they project their bad feelings on other relatives, teachers and class mates. The main targets are shy and somewhat different people at school which they only see as weird outcasts. I guess we all have seen or heard of students who refused to go to school because they were going through hell there or who even went as far to take their own precious lives. While Eastern societies have kept some respect for authorities, the so-called democratic and free Western world has led to a system where everybody is criticizing everything and having an opinion about anything. People often feel the need to become monsters themselves to face the monsters around them. This fast paced, individual, material world is no good place for those who try to be different. Carrie is a symbol for all those who are suffering at such a young age and her final revenge is a symbol for the growing fear, hatred and pain that those young people feel inside and can't catalyse. In every school in every town in the Western world, we have a few potential Carries walking around like time-bombs. School shootings and suicide rates among students show us where the worst places.  

    This movie manages to stay close to the original novel. At the same time, the events are playing in the present and a few necessary details have been added. Carrie is not only bullied at school. She is also bullied in social media when the antagonists upload movies of her on Youtube. Social media are hard to control and have become an anonymous place where anybody feels free to spread news about other people. 

    Apart of her struggles at school, she has to deal with an extremely religious and severe mother. In the opening moments, you see how the mother thinks about killing her newborn child with a knife. This scene really touched me. Religious fanaticism is another big problem in our societies. People think their religion is the only one that counts and they go very far to spread this message in sometimes very ignorant and violent ways. There is no problem at all with being religious but with hating and judging people who think differently.

    Carrie's situation at home is not only connected to religious fanaticism but also to another problem in modern society. I'm talking about nuclear families with divorced parents, single parents, parents with new partners and so on. These days, people are having their first sexual experiences at a very young age and a lot of women get pregnant or even married before finishing their studies or having a stable job. These young parents always got everything and want to get everything no matter what. They want to have the perfect husband, they want to have many healthy children, they want to have a big house, a big television, a big car and the newest electronic devices, they want to have a job where there is not much to do but where they can get a lot of money, they want to go on vacation at least twice a year to escape from reality and so on. And while they are trying to get everything at the same time, their illusions are shattered and those who suffer are their own children who are growing up in a big mess. Carrie is growing up without a father and only hears bad things about him as she is completely controlled by her mother.

    This movie tells us the progressive downfall of a young and beautiful girl who just tries to be normal and get new friends. She tries really hard to do so and is very mature and a few people really care for her in a good way like the gym teacher or another girl from the water ball team at school. But if you get so much hate from everybody around you day by day as Carrie gets, you start to meet everybody with anger, ignorance and suspicion. You won't let the few ones who try to help you get close to you because you don't want to get hurt again and everybody soon becomes a potential enemy.  

    "Carrie" is a suspenseful drama and only becomes a horror movie once more than one hour has passed. What follows is a tale of emotional destruction of the world around Carrie and finally of herself. Most viewers empathize and sympathize with her but once people get out of the cinemas, they close their eyes and ignore the Carries in the real world. The final scene shows us that even a bloody massacre with hundreds of victims doesn't change a thing at all. Some people sprayed ugly graffiti on Carrie's grave telling her to go to hell. The bullying of that poor child even continues after her death.

     

    If you care about thoughtful dramas and psychological suspense movies with strong character developments and good actors, this film is for you. Those who expect an atmospheric horror film or a splatter movie should look elsewhere. 

     

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  • Captain Phillips (2013)

     

    "Captain Philipps" is an American action-drama inspired by but not closely based on actual events. The real Captain Philipps acted a lot less heroic and more ignorant than in this movie adaption that simply tries to do what many recent Hollywood movies do. They portray the hard but honest everyday life of a seemingly normal American citizen who suddenly faces big challenges and becomes a national hero. In times of governmental shutdown, economical problems and a slowly progressing decline as the world's most important nation, people need a few new heroes to believe in American society again.

    In this movie, you see how democratic institutions, dominant military forces and social cohesion defeat corruption, exploitation and selfishness in the worst among the developing countries. The film presents the United States of America and Somalia as complementary antitheses which feels a little bit like lazy propaganda.

    While the main villain constantly expresses a positive opinion about the American dream and how he could have a better life in that country, I must though admit that the movie also shows us the dark sides of some typically American values as individualism and weapons happen to be completely useless to resolve this movie's issues. Diplomatic elements, earthiness and shrewdness are the key elements leading to a predictable happy ending instead of a loner's brute force.

    Apart of its minimal propaganda tendencies and the predictable ending, I didn't like the character of Captain Philipps at all. I'm not sure if Tom Hanks wanted to portray an arrogant and unsympathetic old bourgeois but if this was the intention of the makers, his acting is simply perfect. If the intentions were to create a sympathetic main actor, he completely failed though. It's hard to tell but usually, this kind of movie tries to create an emotional connection between the main character and the viewers and this movie just doesn't manage to build this up. From the beginning on, I had no connection with the main character and didn't really care about his fate.

    Another small but important element I didn't appreciate was the fact that the main villain's English was so good. It's more than just a surprise that a pirate living in a desperate country ridden by a bloody civil war for more than two decades is able to speak English so well. I'm not sure if a young man like this ever had the chance to go to school at all. That's why this little detail and the general profound interactions between Captain Philipps and Muse feel a little bit too fabulous to me.

    The movie's strengths are elsewhere. First of all, this film is filled with incredible tension and especially the claustrophobic and uneasy last third feels very intense and real. The acting is only one part of the gripping formula. The great soundtrack, the efficient light effects and the out-thought camera positioning create this nervous feeling. 

    The movie starts as a documentary in the first moments, slowly turns into an atmospheric thriller towards the middle, then it gets a refreshing action boost between the second and last third and it ends as an oppressive chamber piece. This mixture is very well balanced by the makers and the movie never gets boring in my opinion. Even though the content of the script is sometimes flawed, its general segment linearization is of the highest quality.

    The film also has its dramatic and philosophic elements as the villains aren't just brutal criminals but four very young and sometimes naive men who have no choice but to go through this hell to stay alive and take care of their elders and own families. The acting of the four Somalian pirates is simply outstanding and especially the performance by Abdi Barkhad is absolutely authentic and intense. Sometimes, the movie doesn't feel acted at all as if the real persons were replaying the tragic events that really happened in a slightly transformed way. This is where the movie almost looks like a documentary of the most intense kind.

     

    Despite its little flaws, this movie is truly intense and feels authentic. The first third has a few lengths but the last two thirds will keep you on the edge of your seat as almost no other movie this year. While the story itself and Tom Hank's acting aren't very good, the claustrophobic atmosphere and the incredible performances by the four young African actors are worth a few Academy Awards. I hope to see more from these four actors in the near future. 

     

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  • October 31, 2013 in Reviews

    Kingfisher Sky - Hallway Of DreamsKingfisher Sky - Hallway Of Dreams (2007)

    Reviewed by Sebastian Kluth

    Kingfisher Sky is yet another female fronted symphonic metal band from the Netherlands with a calm and somewhat progressive approach. The band was founded by Ivar de Graaf, who had been the drummer of Within Temptation. It doesn’t come as a surprise then that his new band’s first output is quite close to the calmer, almost folk rocky earlier releases of his former band. And it’s also no surprise that the band lacks any kind of unique style, sounding like an odd mixture of Within Temptation, Loreena McKennitt, Evanescence, and Autumn.

    I have no problem with calmer symphonic metal bands, but Kingfisher Sky is definitely going too far on their debut release. The album sounds like one big lullaby. It’s mostly boring and, sometimes even too pop oriented for me. “Balance Of Power” has neither balance nor power, and I certainly don’t want to see the world “Through My Eyes”, because expressed this way, it all looks pretty dull, grey, and melancholic.

     

    Among the better songs, we have the airy grower “Her White Dress”, even though it reminds me of an Evanescence ballad rather than a symphonic metal song. The three best songs are the playful folk ballad “Big Fish”, with its joyful flute sounds, the dreamy and warm single “November”, and the title track “Hallway Of Dreams”, which actually includes a few engaging guitar riffs that are otherwise almost completely absent on this record.

    Despite a couple of good efforts, Kingfisher Sky delivers an album that could be played to a baby, and that doesn’t offer anything outstanding or unique. Fans of the aforementioned bands could give this release a try, but any other symphonic metal fan should skip the debut and try out the much better second effort Skin Of The Earth instead.

    2.0 // 5

     

     

    November 4, 2013 in Reviews

    Kingfisher Sky 2Kingfisher Sky - Skin Of The Earth (2010)

    Reviewed by Sebastian Kluth

    After the drudging debut, Dutch symphonic metal band Kingfisher Sky took three years to work on its own approach and came back with the much improved Skin Of The Earth.

    The first track, “Multitude”, is already better than anything on the predecessor. It has a multitude of new approaches and ideas indeed. The track opens with mysterious sounds that create a magical atmosphere. The vocals have better melodies and are more powerful than before, as well as more variable, as this track also includes some haunting whispers. “Multitude” sounds well balanced and mixed, laid back, and features more metal-oriented moments and harder riffs than before. “Rise From The Flames” hits the same vein: it’s a solid metal song that integrates mandolin and violoncello sounds in a very good way. Symphonic and folk metal fans should adore this song alike. Another well balanced track is the album closer, “The Edge Of Insanity”, which unites acoustic and electric passages in an amazing fashion, and features strong and charismatic female vocals.

     

    The softer tracks on the record also work much better than before. The lullaby “The Attic” has a haunting atmosphere that could easily fit into the soundtrack of a mystery movie. It’s a great song for a rainy autumn morning while you read some horror, mystery, or science-fiction novels. In general, this kind of music invites you to relax and is more appealing to intellectual listeners that are open to giving music some time to grow on them. It’s definitely nothing you can listen to on the go or fully discover on the first try, but this is a positive trademark of the album for me.

    If you are looking for something more symphonic, try out the diversified “Mushroom Wall”, that proves to us that the band hasn’t been completely mislabeled. Progressive metal fans should dedicate some attention to the beautifully entitled “Liquid Clocks”. It includes a few well-integrated electronic sounds, but also Persian folk elements. As I fall for these folky parts, this is probably my personal favorite on the album.

    In the end, Kingfisher Sky’s second output is much better than the unbalanced and dull debut. This album really came as a positive surprise to me, and can be seen as a clear improvement. The middle section of this record has a few redundant elements and a couple of weaker tracks, but the first three and last four make you forget about this album’s weaker moments. Those who like bands such as Xandria, Within Temptation, Gwyllion, Elis, or Delain can’t go wrong with this release. Progressive symphonic metal fans should definitely try this record out.

    3.75 // 5

     

     

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  • Genre: Heavy Metal
    Label: Self-production
    Playing time: 115:55
    Band homepage: Aria

    Tracklist:

    1. Black Square
    2. Fights Without Rules
    3. The Night Is Shorter Than The Day
    4. Phoenix
    5. Distant Light
    6. Deception
    7. Black Legend
    8. The Story Of A Murderer
    9. Coliseum
    10. Blood For Blood
    11. Attila
    12. Last Sunset
    13. Ice Shard
    14. The Calm
    15. Heaven Will Find You
    16. Hero Of The Asphalt
    17. Rose Street
    18. Kick Some Ass!

     

    Aria - The Yellow Circle Arena (Live in Moscow)

      

    Russian Heavy Metal legends ARIA prove that their genre is still alive and well and have become its most consistent band in the entire world. While other Heavy Metal bands struggle over personal line-up changes, their age or more and more experimental and progressive influences, all these elements don't keep this band away from delivering pure and yet relevant new Heavy Metal records. These Russians recently went through an important line-up change. Nine years after the departure of popular original singer Valeriy KIPELOV, the successful successor ATHUR BERKUT also left the band two years ago and got replaced by a young and energizing singer named Mikhail Zhitnyakov of Ãðàí-ÊóðàæÚ.

     

    Now, the new line-up also came around with a first glorious live release recorded in their hometown Moscow that is entitled “The Yellow Circle Arena”. While fans of most Western Heavy Metal bands from IRON MAIDEN to SAXON desire to listen to the old classics, the enthusiastic crowd here cheers the amazing new titles as much as the pioneer works of the band. We are just three minutes into the brand new opener “Black Square” and you can see the entire band jumping around on scene and the crowd going insane. The band continues with another new track which is the epic “Fights Without Rules” that includes massive sing along parts and a chorus to make you want to kneel before the band. There is no difference of quality in comparison to the older songs and the fans seem to know the new songs as well by heart as they know their classics. My favourite new song of the band called “The Story Of A Murderer” is as magical on stage as it has been on the last album. The crowd claps their hands and sings along in the calm opening parts and goes mad in the atmospheric but unchained middle part of the melodic epic. You can see young and beautiful women on the backs of their boyfriends, old Heavy Metal veterans as well as children bang, cheer and dance along to the music. Heavy Metal simply unites all sexes and ages. The instrumental performance and the crystal clear vocals of the song sound technically perfect without lacking energy.

     

    The band didn’t forget to include a few classics in their set. Let’s take one of last decade’s greatest Heavy Metal anthems called “Coliseum”. The song is just ten years old but as legendary as the band’s earliest successes. The crowd goes crazy once again, sings along to the majestic chorus and the band just rules the song with big smiles on their faces. "Last Sunset" is another melodic Heavy Metal anthem which is only seven years old now but the song must still be cited as highlight on this release. It mixes atmospheric and epic verses with a highly melodic chorus that ends on a heavier note.

     

    The band closes the concert with two heavy performances of their classics “Hero Of Asphalt” and “Rose Street” and you don’t even recognize that the band is playing in 2012 and not in 1987 anymore. The new more recent members perform the songs as if it were their own and as if they had just written them a few days ago and were overtly enthusiastic to expose their new works to the fans for a very first time. Just to give you an idea, the new singer was eight years old when the original “Hero Of Asphalt” record was released in a slowly dying Soviet Union and it’s incredible how he manages to perform the song as good as the original singer.

     

    After nearly two hours of powerful live music the band leaves only to come back to perform the final encore “Kick Some Ass!” from the milestone record “Play with Fire”. In the beginning, I was a little disappointed because I was expecting a performance of an epic classic such as “The Volunteer”, “The Ballad of an Ancient Russian Warrior” or “Play with Fire” which is undoubtedly one of the best Heavy Metal songs ever written. The amazing thing is that the band doesn’t even need to play these central milestones to convince me and make their fans go mad. Their back catalogue is strong enough to vary their set lists all the time. The closing “Kick Some Ass” beats the original studio version by far. It’s this live version that made me rediscover and fully enjoy this track that hadn’t really been on my map before. Needless to say that I think that the new live version is by far the best of this song.

     

    After two incredible hours of energy, pleasure and technical ecstasy, ARIA leave the stage and have once again carved their legendary status in stone. These guys are the living proofs that Heavy Metal isn’t dead and still relevant in 2012.

     

    The band comes for three extremely rare dates to North America this autumn to perform in New York City, Boston and Toronto. I will try anything I can to go to one of those dates even if the distances are very far here in Canada. Any Heavy Metal maniac around should do exactly the same. While you are waiting for these dates, just give this DVD and double CD a few spins to get in the right mood. If you happen to not know ARIA yet or if you think that their last great album came out somewhere around 1991, shame on you because you are mistaken. Go and get this package and feel what Heavy Metal is all about.

     

    (Online October 30, 2013)

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